Women and the Machine
Representations from the Spinning Wheel to the Electronic Age
Seiten
2002
Johns Hopkins University Press (Verlag)
978-0-8018-6607-4 (ISBN)
Johns Hopkins University Press (Verlag)
978-0-8018-6607-4 (ISBN)
Writing from the perspective of an art historian, Julie Wosk examines the role of machines in helping women reconfigure and transform their lives. In this text, she takes her readers through a gallery of fiction and high and low art which depicts women in their association with machines.
Writing from the perspective of an art historian (and a former public relations person for "Playboy"), Julie Wosk examines the role of machines in helping women reconfigure and transform their lives. In this text, she takes her readers through a gallery of fiction and high and low art which depicts women in their association with machines. From sitting at the spinning wheel to typing at the typewriter, to driving automobiles, piloting airplanes, pounding rivets, and then working on the computer, Wosk tells the story of women celebrating their new liberties and growing competency but, along the way, gives interesting examples of ambivalence, male-engendered sexual fantasy, and fears of displacement. With more than 150 images, the volume presents how women and machines have appeared in (mostly male-created) art, photography, advertising and literature in America and Western Europe over the past 200 years. The book also explores the work women artists and writers have fashioned to represent their own images of machines.
In dramatically contrasting views, the images Wosk has collected portray women as timid and fearful creatures, baffled by the workings of science and technology, and yet fully capable of machine mastery and control - and of making machines beguiling as products. The work illuminates popular gender stereotypes that have haunted women throughout history while underscoring the ambivalent advances women have achieved in the supposedly male world of machines.
Writing from the perspective of an art historian (and a former public relations person for "Playboy"), Julie Wosk examines the role of machines in helping women reconfigure and transform their lives. In this text, she takes her readers through a gallery of fiction and high and low art which depicts women in their association with machines. From sitting at the spinning wheel to typing at the typewriter, to driving automobiles, piloting airplanes, pounding rivets, and then working on the computer, Wosk tells the story of women celebrating their new liberties and growing competency but, along the way, gives interesting examples of ambivalence, male-engendered sexual fantasy, and fears of displacement. With more than 150 images, the volume presents how women and machines have appeared in (mostly male-created) art, photography, advertising and literature in America and Western Europe over the past 200 years. The book also explores the work women artists and writers have fashioned to represent their own images of machines.
In dramatically contrasting views, the images Wosk has collected portray women as timid and fearful creatures, baffled by the workings of science and technology, and yet fully capable of machine mastery and control - and of making machines beguiling as products. The work illuminates popular gender stereotypes that have haunted women throughout history while underscoring the ambivalent advances women have achieved in the supposedly male world of machines.
Julie Wosk is Professor of English, art history, and studio painting at the State University of New York, Maritime College and is the author of Breaking Frame: Technology and the Visual Arts in the Nineteenth Century.
Contents:
Acknowledgments
Introduction
1 Framing Images of Women and Machines
2 Wired for Fashion: Images of Bustles, Corsets, and Crinolines in the Mechanical Age
3 The Electric Eve
4 Women and the Bicycle
5 Women and the Automobile
6 Women and Aviation
7 Women in Wartime: From Rosie the Riveter to Rosie the Housewife
Coda: The Electric Eve and Late-Twentieth-Century-Art
Notes
Index
Erscheint lt. Verlag | 15.3.2002 |
---|---|
Zusatzinfo | 118 Illustrations, black and white; 43 Illustrations, color |
Verlagsort | Baltimore, MD |
Sprache | englisch |
Maße | 203 x 254 mm |
Gewicht | 1315 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geschichte ► Teilgebiete der Geschichte ► Technikgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 0-8018-6607-3 / 0801866073 |
ISBN-13 | 978-0-8018-6607-4 / 9780801866074 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Buch | Softcover (2024)
Lehmanns Media (Verlag)
CHF 27,90
Vom Perceptron zum Deep Learning
Buch | Softcover (2022)
Springer Vieweg (Verlag)
CHF 27,95
Digitalisierung neu denken für eine gerechte Gesellschaft
Buch | Hardcover (2023)
Quadriga (Verlag)
CHF 27,95