U.S. International Exhibitions during the Cold War
Rowman & Littlefield (Verlag)
978-1-4422-4642-3 (ISBN)
Although cultural diplomacy has become an increasingly fashionable term embraced by academics, foreign-service personnel, and private sector commercial and cultural interests, the very practice of this idea remains conspicuously challenging to define. This book takes on this problem, advancing a new understanding of cultural diplomacy that results from a historical investigation of a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to “tell America’s story” with the goal of “winning hearts and minds.”
To illustrate this point, selected exhibitions and the intentions of the policymakers who proposed them are interrogated for the first time beside archival documentation, writings from the history of design, advertising, science, as well as art historical and museum studies theories that address various aspects of the history of collecting and display, all of which explore the reality of how these exhibitions were conceived and prepared for foreign audiences. Most importantly, personal interviews with the designers and government representatives responsible for the ultimate appearance of these events upturn preconceived notions of how these events came to be. Seventy-five photographs from the exhibits make this history come alive.
Through this discussion these questions are answered: What was America showing of itself through these exhibitions? And, more urgently, what do these exhibitions tell us about U.S. interest in verisimilitude?
This investigation spans the crucial years of American exhibitions abroad (1955-1975), beginning with the formation of an official system of exhibiting American commercial wares and political ideas at trade fairs, through official exchanges with the U.S.S.R., to pavilions at world's fairs, and finally to museum exhibitions that signaled a return to the display of founding American values. They are thus complex ideological symbols in which concepts of national identity, globalization, technology, consumerism, design, and image management both coincided and clashed. The investigation of these exhibitions enhances the understanding of a significant chapter of U.S. cultural diplomacy at the height of the Cold War and how America constantly reimagined itself.
Andrew James Wulf is a scholar of history who serves as the curator of the Ronald Reagan Presidential Library and Museum, part of the U.S. National Archives. He earned his PhD in Museum Studies from the University of Leicester in the United Kingdom and is a contributor to USC’s Center on Public Diplomacy in Los Angeles. He is a recent graduate of the Getty Leadership Institute’s management program for museum executives.
Introduction
Chapter 1: From Megafauna to Megashows to the MoMA: A Historical Overview of U.S. Cultural Exhibitions Abroad
Chapter 2: Confusion Makes Its Masterpiece: U.S. Participation in 1950s Trade Fairs
Chapter 3: A “Carefully Planned Bombardment:” The American National Exhibition in Moscow, 1959
Chapter 4: Of Pleasure Domes and Moon Rocks: The U.S. at the Montreal and Osaka Expos, 1965-1970
Chapter 5: The Unfinished Reality of Our Revolutionary Experiment: The World of Franklin and Jefferson, 1971-1977
Conclusion
Bibliography
| Verlagsort | Lanham, MD |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater |
| Sozialwissenschaften ► Politik / Verwaltung ► Staat / Verwaltung | |
| Wirtschaft ► Betriebswirtschaft / Management | |
| ISBN-10 | 1-4422-4642-1 / 1442246421 |
| ISBN-13 | 978-1-4422-4642-3 / 9781442246423 |
| Zustand | Neuware |
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