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Pioneers of Modern Typography

(Autor)

Buch | Softcover
160 Seiten
2004 | New edition
Lund Humphries Publishers Ltd (Verlag)
978-0-85331-897-2 (ISBN)
CHF 47,95 inkl. MwSt
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Modern typography does not have its origins in the conventional printing industry, instead, its roots are entwined with those of 20th-century painting, poetry and architecture. This text examines what led up to the new concepts in graphic design and carefully disentangles the various influences.
'Among all the publications about typography produced in the last few decades, Pioneers of Modern Typography can lay claim to being one of the most vital and influential.' Rick Poynor

Modern typography does not have its origins in the conventional printing industry. Its roots are entwined with those of twentieth-century painting, poetry and architecture, and it flowered quite suddenly and dramatically in the twenty years following the publication of Marinetti's Futurist manifesto in 1909. Since its first publication in 1969, and subsequent reissue in a completely revised edition, Pioneers of Modern Typography has remained the standard guide to the impact of 20th-century avant-garde movements on graphic design and typography. It is re-published now with a new Foreword by Rick Poynor in celebration of its author, the late Herbert Spencer, who was Professor of Graphic Arts at the Royal College of Art.

Herbert Spencer's text examines what led up to the new concepts in graphic design and carefully disentangles the respective influences of Futurism, Dadaism, de Stijl, Suprematism, Constructivism and the Bauhaus. His text is profusely illustrated with examples of crucial contributions to the new typography - from Apollinaire to Zwart - and the book's documentation includes biographical notes on the key figures.

Herbert Spencer (1924-2002) was a typographer, graphic designer, teacher of graphic design, and Art Director at Lund Humphries from 1969 to 1988. He was Editor of the seminal journal Typographica (1949 to 1967) and of The Penrose Annual (1964 to 1973). His other publications included The Visible Word (the result of his research at the RCA into legibility) and The Liberated Page (an anthology of articles drawn from Typographica).

Contents: New Foreword; Introduction; El Lissitzky; Theo van Doesburg; Kurt Schwitters; H.N. Werkman; Piet Zwart; Paul Schuitema; Alexander Rodchenko; Laszlo Moholy-Nagy; Herbert Bayer; Jan Tschichold; List of Illustrations; Bibliography

Erscheint lt. Verlag 28.1.2004
Vorwort Rick Poyner
Zusatzinfo Includes 39 colour and 122 b&w illustrations
Verlagsort London
Sprache englisch
Maße 225 x 234 mm
Themenwelt Kunst / Musik / Theater Design / Innenarchitektur / Mode
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geschichte Teilgebiete der Geschichte Technikgeschichte
Informatik Grafik / Design Desktop Publishing / Typographie
ISBN-10 0-85331-897-2 / 0853318972
ISBN-13 978-0-85331-897-2 / 9780853318972
Zustand Neuware
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