The Future of Digital Data, Heritage and Curation
The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts and their application to data, developing new theories, curatorial practices and a more-than-human museology for a contemporary and future world.
Presenting a diverse range of case examples from around the globe, Cameron offers a critical and philosophical reflection on the ways in which digital cultural heritage is currently framed as societal data worth passing on to future generations in two distinct forms: digitally born and digitizations. Demonstrating that most perceptions of digital cultural heritage are distinctly western in nature, the book also examines the complicity of such heritage in climate change, and environmental destruction and injustice. Going further still, the book theorizes the future of digital data, heritage, curation and the notion of the human in the context of the profusion of new types of societal data and production processes driven by the intensification of data economies and through the emergence of new technologies. In so doing, the book makes a case for the development of new types of heritage that comprise AI, automated systems, biological entities, infrastructures, minerals and chemicals – all of which have their own forms of agency, intelligence and cognition.
The Future of Digital Data, Heritage and Curation is essential reading for academics and students engaged in the study of museums, archives, libraries, galleries, archaeology, cultural heritage management, information management, curatorial studies and digital humanities.
Fiona R. Cameron is Senior Research Fellow at the Institute for Culture and Society, Western Sydney University, Australia. Her research is directed to the figuration of museum and digital cultural heritage theory and curatorial practice for a more-than-human world.
1. Introduction: Refiguring digital cultural heritage and curation; 2. The official birth of digital data as universal heritage; 3. Digital data as the heritage of the modern world; 4. Object concepts in digital cultural heritage; 5. From objects to ecological formations; 6. Digital data and artifactual production; 7. Curating inside the archive and out in the world; 8. The rise of more-than-human digital heritage in the Technosphere; 9. Conclusion: Framing a more-than-human digital museology
| Erscheinungsdatum | 06.04.2021 |
|---|---|
| Zusatzinfo | 25 Halftones, black and white; 25 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| Mathematik / Informatik ► Informatik ► Web / Internet | |
| Sozialwissenschaften | |
| ISBN-10 | 0-367-69058-6 / 0367690586 |
| ISBN-13 | 978-0-367-69058-8 / 9780367690588 |
| Zustand | Neuware |
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