The Sacred Art Of Stealing
Seiten
2002
Little, Brown & Company (Verlag)
978-0-316-85951-6 (ISBN)
Little, Brown & Company (Verlag)
978-0-316-85951-6 (ISBN)
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He is an art thief; she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught. He also has a secret agenda more valuable than anything he might steal. What he can't afford is to let her get too close: he could could end up in jail or, more scary, in love.
Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and armed bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love .
Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and armed bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love .
Chris Brookmyre was a journalist before becoming a full time novelist with the publication of QUITE UGLY ONE MORNING. Since the publication of A BIG BOY DID IT AND RAN AWAY he and his family decided to move away from Aberdeen and now live near Glasgow. Oh, yes.
| Erscheint lt. Verlag | 3.10.2002 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 138 x 222 mm |
| Themenwelt | Literatur ► Krimi / Thriller / Horror |
| ISBN-10 | 0-316-85951-6 / 0316859516 |
| ISBN-13 | 978-0-316-85951-6 / 9780316859516 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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