Wigs, Hair and Make-Up
A Backstage Guide
Seiten
2023
Methuen Drama (Verlag)
978-1-350-13587-1 (ISBN)
Methuen Drama (Verlag)
978-1-350-13587-1 (ISBN)
Written by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere.
From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production.
Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.
From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production.
Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.
Helen Casey worked at the National Theatre for 10 years on a wide range of over 50 productions there, most notably as key creature make-up artist for Danny Boyle’s production of Frankenstein. She is actively involved in the education and apprenticeship programmes and has also authored several publications while at the NT, including Fantastic Faces, a make-up book for children (2019).
Introduction
Chapter 1: Design and Research
Chapter 2: Making a Wig
Chapter 3: Wig/Hairdressing
Chapter 4: Make Up
Chapter 5: Prosthetic and Stage Effects
Chapter 6: Staging
Chapter 7: Kit and Employability
Conclusion
| Erscheinungsdatum | 13.02.2023 |
|---|---|
| Reihe/Serie | National Theatre Backstage Guides |
| Zusatzinfo | 19 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 121 x 165 mm |
| Themenwelt | Literatur ► Lyrik / Dramatik |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-350-13587-9 / 1350135879 |
| ISBN-13 | 978-1-350-13587-1 / 9781350135871 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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Buch | Softcover (2021)
Verlag der Autoren
CHF 15,90
