Simplicity: Ideals of Practice in Mathematics and the Arts (eBook)
XX, 305 Seiten
Springer International Publishing (Verlag)
978-3-319-53385-8 (ISBN)
To find 'criteria of simplicity' was the goal of David Hilbert's recently discovered twenty-fourth problem on his renowned list of open problems given at the 1900 International Congress of Mathematicians in Paris. At the same time, simplicity and economy of means are powerful impulses in the creation of artworks. This was an inspiration for a conference, titled the same as this volume, that took place at the Graduate Center of the City University of New York in April of 2013. This volume includes selected lectures presented at the conference, and additional contributions offering diverse perspectives from art and architecture, the philosophy and history of mathematics, and current mathematical practice.
Roman Kossak's research is in model theory of nonstandard models of formal arithmetic. For over 30 years he has worked at the City University of New York, where he teaches developmental courses at Bronx Community College and mathematical logic and model theory at the Graduate Center. His other interests include phenomenology and interactions between mathematics and the arts.
Philip Ording is a member of the mathematics faculty at Sarah Lawrence College in Bronxville, New York. He received a PhD in Mathematics from Columbia University in 2006. While a graduate student of topology and geometry he began working as a mathematics consultant in art and architecture studios in New York. Since then he has published essays, curated exhibitions, and lectured on the intersection of mathematics and the arts.
Roman Kossak’s research is in model theory of nonstandard models of formal arithmetic. For over 30 years he has worked at the City University of New York, where he teaches developmental courses at Bronx Community College and mathematical logic and model theory at the Graduate Center. His other interests include phenomenology and interactions between mathematics and the arts.Philip Ording is a member of the mathematics faculty at Sarah Lawrence College in Bronxville, New York. He received a PhD in Mathematics from Columbia University in 2006. While a graduate student of topology and geometry he began working as a mathematics consultant in art and architecture studios in New York. Since then he has published essays, curated exhibitions, and lectured on the intersection of mathematics and the arts.
Inner Simplicity vs. Outer Simplicity (E. Ghys).- The Complexity of Simplicity: The Inner Structure of the Artistic Image (J. Pallasmaa).- Thinking in Four Dimensions (D. McDuff).- Kant, Co-Production, Actuality, and Pedestrian Space: Remarks on the Philosophical Writings of Fred Sandback (J. Kennedy).- What Simplicity Is Not (M. Malliaris).- Constructing the Simples (C. Franks).- The Simplicity Postulate (M. Senechal).- The Experience of Meaning (J. Zwicky).- Math Currents in the Brain (M. Gromov).- bc, becuz, because ASCII (K. Shepherd).- "Abstract, Directly Experienced, Highly Simplified, and Self-Contained": Discourses of Simplification, Disorientation, and Process in the Arts (R. Stewen).- Remarks on Simple Proofs (R. Iemhoff).- The Fluidity of Simplicity (J. Floyd).- "Mathematical Typography" (After Donald Knuth, 1978) (D. Sinister).- Simplicity Via Complexity (A. Villaveces).- On the Alleged Simplicity of Impure Proof (A. Arana).- Minimalism and Foundations (S. Gerhardt).- Economy of Thought: A Neglected Principle of Mathematics Education (A. Borovik).- Simplicity is the Point (D. Sullivan).- Appendix A: Simplicity, in Mathematics and in Art (A. Jackson).- Appendix B: Conference Program.- Index.
Erscheint lt. Verlag | 28.6.2017 |
---|---|
Reihe/Serie | Mathematics, Culture, and the Arts | Mathematics, Culture, and the Arts |
Zusatzinfo | XX, 305 p. 26 illus., 1 illus. in color. |
Verlagsort | Cham |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
Mathematik / Informatik ► Mathematik | |
Schlagworte | mathematical typography • Philosophy • simplicity art • simplicity mathematical art • visual arts |
ISBN-10 | 3-319-53385-1 / 3319533851 |
ISBN-13 | 978-3-319-53385-8 / 9783319533858 |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
Haben Sie eine Frage zum Produkt? |
Größe: 4,4 MB
DRM: Digitales Wasserzeichen
Dieses eBook enthält ein digitales Wasserzeichen und ist damit für Sie personalisiert. Bei einer missbräuchlichen Weitergabe des eBooks an Dritte ist eine Rückverfolgung an die Quelle möglich.
Dateiformat: PDF (Portable Document Format)
Mit einem festen Seitenlayout eignet sich die PDF besonders für Fachbücher mit Spalten, Tabellen und Abbildungen. Eine PDF kann auf fast allen Geräten angezeigt werden, ist aber für kleine Displays (Smartphone, eReader) nur eingeschränkt geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür einen PDF-Viewer - z.B. den Adobe Reader oder Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür einen PDF-Viewer - z.B. die kostenlose Adobe Digital Editions-App.
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich