The Subtext of Form in the English Renaissance
Proportion Poetical
Seiten
1994
Pennsylvania State University Press (Verlag)
978-0-271-01071-7 (ISBN)
Pennsylvania State University Press (Verlag)
978-0-271-01071-7 (ISBN)
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This work describes a new definition of the traditional Renaissance in the context of poststructuralist thought. It explores the ontological and epistemological issues that poststructuralism raises about the shift in our cultural history during the Renaissance.
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
S. K. Heninger, Jr., is University Distinguished Professor of English Emeritus at the University of North Carolina and author of, most recently, Sidney and Spenser: The Poet as Maker (Penn State, 1989).
| Verlagsort | Pennsylvania |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 381 g |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Erkenntnistheorie / Wissenschaftstheorie |
| Geisteswissenschaften ► Philosophie ► Metaphysik / Ontologie | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Sozialwissenschaften | |
| ISBN-10 | 0-271-01071-1 / 0271010711 |
| ISBN-13 | 978-0-271-01071-7 / 9780271010717 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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