Declarations of Dependence
Money, Aesthetics, and the Politics of Care
Seiten
2018
University of Nebraska Press (Verlag)
978-1-4962-0192-8 (ISBN)
University of Nebraska Press (Verlag)
978-1-4962-0192-8 (ISBN)
Rethinks the historical relationship between money and aesthetics in an effort to make critical theory newly answerable to politics. Scott Ferguson regrounds critical theory in the alternative conception of money articulated by the contemporary heterodox school of political economy known as Modern Monetary Theory.
Declarations of Dependence rethinks the historical relationship between money and aesthetics in an effort to make critical theory newly answerable to politics. Scott Ferguson regrounds critical theory in the alternative conception of money articulated by the contemporary heterodox school of political economy known as Modern Monetary Theory. Applying the insights of this theory, Ferguson contends that money, rather than representing a private, finite, and alienating technology, is instead a public and fundamentally unlimited medium that harbors still-unrealized powers for inclusion, cultivation, and care.
Ferguson calls Modern Monetary Theory’s capacious ontology of money the “unheard-of center” of modern life. Here he installs this unheard-of center at the heart of critique to inaugurate a new critical theory that aims to actualize money’s curative potential in a sensuous here-and-now. Declarations of Dependence reimagines the relation between money and aesthetics in a manner that points beyond neoliberal privation and violence and, by doing so, lends critical theory fresh relevance and force.
Declarations of Dependence rethinks the historical relationship between money and aesthetics in an effort to make critical theory newly answerable to politics. Scott Ferguson regrounds critical theory in the alternative conception of money articulated by the contemporary heterodox school of political economy known as Modern Monetary Theory. Applying the insights of this theory, Ferguson contends that money, rather than representing a private, finite, and alienating technology, is instead a public and fundamentally unlimited medium that harbors still-unrealized powers for inclusion, cultivation, and care.
Ferguson calls Modern Monetary Theory’s capacious ontology of money the “unheard-of center” of modern life. Here he installs this unheard-of center at the heart of critique to inaugurate a new critical theory that aims to actualize money’s curative potential in a sensuous here-and-now. Declarations of Dependence reimagines the relation between money and aesthetics in a manner that points beyond neoliberal privation and violence and, by doing so, lends critical theory fresh relevance and force.
Scott Ferguson is an assistant professor in the Department of Humanities and Cultural Studies at the University of South Florida. He is a research scholar at the Binzagr Institute for Sustainable Prosperity.
Acknowledgments
Provocations
Introduction: Critique after Modern Monetary Theory
1. Transcending the Aesthetic
2. Declarations of Dependence
3. Medium Congruentissimum
4. Allegories of the Aesthetic
Epilogue: Becoming Second Nature
Notes
| Erscheinungsdatum | 13.06.2018 |
|---|---|
| Reihe/Serie | Provocations |
| Zusatzinfo | 9 illustrations |
| Verlagsort | Lincoln |
| Sprache | englisch |
| Maße | 127 x 203 mm |
| Themenwelt | Geisteswissenschaften ► Philosophie |
| Wirtschaft ► Allgemeines / Lexika | |
| Wirtschaft ► Volkswirtschaftslehre ► Finanzwissenschaft | |
| ISBN-10 | 1-4962-0192-2 / 1496201922 |
| ISBN-13 | 978-1-4962-0192-8 / 9781496201928 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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