From Networks to Netflix
Routledge (Verlag)
978-1-138-99851-3 (ISBN)
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Derek Johnson is Associate Professor of Media and Cultural Studies at the University of Wisconsin – Madison. He is the author of Media Franchising: Creative License and Collaboration in the Culture Industries, as well as the co-editor of A Companion to Media Authorship, Making Media Work: Cultures of Management in the Entertainment Industries, and the forthcoming Point of Sale: Analyzing Media Retail.
Introduction/Channel Listings
Channel 1 – Pop: Television Guides and Recommendations in a Changing Channel Landscape
Derek Johnson
Broadcast Stations and Networks
Channel 2 – ABC: Crisis, Risk, and the Logics of Change
Kristen J. Warner
Channel 3 – The CW: Media Conglomerates in Partnership
Caryn Murphy
Channel 4 – Rede Globo: Global Expansions and Cross-Media Extensions in the Digital Era
Courtney Brannon Donoghue
Channel 5 – PBS: Crowdsourcing Culture Since 1969
Michele Hilmes
Channel 6 – Alabama Public Television Network: Local Stations and Struggles Over Collective Identity
Allison Perlman
Channel 7 – DR: License Fees, Platform Neutrality and Public Service Obligation
Hanne Bruun
Channel 8 – MeTV: Old-Time TV’s Last Stand?
Derek Kompare
Cable and Satellite Services
Channel 9 – WGN America: From Chicago to Cable’s Very Own
Chris Becker
Channel 10 – ESPN: Live Sports, Documentary Prestige, and On-Demand Culture
Travis Vogan
Channel 11 – NBC Sports Network: Building Elite Audiences from Broadcast Rights
Deborah L. Jaramillo
Channel 12 – The Weather Channel: Genre, Trust, and Unscripted Television in an Age of Apps
Jon Kraszewski
Channel 13 - TLC: Food, Fatness, and Spectacular Relatability
Melissa Zimdars
Channel 14 – MTV: #Prosocial Television
Laurie Ouellette
Channel 15 – A&E: From Art to Vice in the Managed Channel Portfolio
David Craig and Derek Johnson
Channel 16 – Spike TV: The Impossibility of Television for Men
Amanda D. Lotz
Channel 17 – Comedy Central: Transgressive Femininities and Reaffirmed Masculinities Nick Marx
Channel 18 – Nick Jr.: Co-Viewing and the Limits of Dayparts
Erin Copple Smith
Channel 19 – Disney Junior: Imagining Industrial Intertextuality
Kyra Hunting and Jonathan Gray
Channel 20 – Disney XD: Boyhood and the Racial Politics of Market Segmentation
Christopher Chávez
Channel 21 – Freeform: Shaking off the Family Brand within a Conglomerate Family
Barbara Selznick
Channel 22 – El Rey: Latino Indie Auteur as Channel Identity
Alisa Perren
Streaming Channels
Channel 23 – Awesomeness TV: Talent Management and Merchandising on Multi-Channel Networks
Avi Santo
Channel 24 – ISAtv: YouTube and the Branding of Asian America
Lori Kido Lopez
Channel 25 – East India Comedy: Channeling the Public Sphere in Online Satire
Subin Paul
Channel 26 – Twitter: Channels in the Stream
James Bennett and Niki Strange
Channel 27 – Twitch.TV: Tele-visualizing the Arcade
Matthew Thomas Payne
Channel 28 – BBC Three: Youth Television and Platform Neutral Public Broadcasting
Faye Woods
Channel 29 – Open TV: The Development Process
Aymar Jean Christian
Premium Television
Channel 30 – Netflix: Streaming Channel Brands as Global Meaning Systems
Timothy Havens
Channel 31 – Hulu: Geoblocking National TV in an On-demand Era
Evan Elkins
Channel 32 – iQiyi: China’s Internet Tigers Take Television
Michael Curtin and Yongli Li
Channel 33 – Amazon Prime Video: Where Information is Entertainment
Karen Petruska
Channel 34 – Playboy TV: Contradictions, Confusion, and Post-Network Pornography
Peter Alilunas
Channel 35 – Starz: Distinction, Value, and Fandom in Non-Linear Premium TV
Myles McNutt
Channel 36 – WWE Network: The Disruption of Over-The-Top Distribution
Cory Barker and Andrew Zolides
Channel 37 – CBS All Access: To Boldly Franchise Where No One Has Subscribed Before
Derek Johnson
Erscheinungsdatum | 26.03.2018 |
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Verlagsort | London |
Sprache | englisch |
Maße | 178 x 254 mm |
Gewicht | 775 g |
Themenwelt | Sozialwissenschaften ► Kommunikation / Medien ► Journalistik |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Wirtschaft | |
ISBN-10 | 1-138-99851-6 / 1138998516 |
ISBN-13 | 978-1-138-99851-3 / 9781138998513 |
Zustand | Neuware |
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