Wild Sound
Seiten
2025
Bloomsbury Academic USA (Verlag)
978-1-5013-5090-0 (ISBN)
Bloomsbury Academic USA (Verlag)
978-1-5013-5090-0 (ISBN)
- Noch nicht erschienen (ca. November 2025)
- Portofrei ab CHF 40
- Auch auf Rechnung
- Artikel merken
Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment.
Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape—film's "wild sound"—which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.
The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.
Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape—film's "wild sound"—which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.
The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.
Michael Pigott is Associate Professor of Video Art and Digital Media at the University of Warwick, UK. He is the author of Joseph Cornell Versus Cinema (Bloomsbury, 2013).
Introduction
Part I: Inside
1. Wild Sound
2. The Sound of Film Theory
3. The Background
Interval
Part II: Out
4. Origin
5. Exhibition
6. Waste
Coda
Index
| Erscheint lt. Verlag | 27.11.2025 |
|---|---|
| Reihe/Serie | The Study of Sound |
| Zusatzinfo | 20 bw illus |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Technik | |
| ISBN-10 | 1-5013-5090-0 / 1501350900 |
| ISBN-13 | 978-1-5013-5090-0 / 9781501350900 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
eine empirische Studie
Buch | Softcover (2024)
Georg Olms Verlag
CHF 75,60
Grundbegriffe, Harmonik, Formen, Instrumente
Buch | Softcover (2021)
Philipp Reclam (Verlag)
CHF 12,90
