Mixing Audio
Routledge (Verlag)
978-1-138-24138-1 (ISBN)
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The companion website, featuring over 2,000 audio samples as well as Pro Tools/ Multitrack Audio Sessions, is a perfect complement to the third edition.
The new edition includes:
A new 'Mixing and The Brain' chapter that provides a cognitive/psychological overview of many aspects related to and affecting mixing engineers (and, to a narrow extent, listeners).
Updated figures and text reflecting recent software updates and trends.
Roey Izhaki holds a BA in Recording Arts and has been mixing since 1992. An audio engineering academic lecturer for 10 years, he has given mixing and audio seminars across Europe.
Part I. Concept and Practices
1. Music and Mixing
2. Some axioms and other gems
3. Mixing and the brain
4. Learning to mix
5. The process
6. Related issues
7. Mixing Domains and objectives
Part II: Tools
8. Monitors
Key concepts
9. Phase
10. Modulation
Mixers
11. Busses
12. Processors & Effects
13. Groups
14. Solos
15. Meters
16. Software Mixers
17. Mixing Consoles (Possibly Appendix)
Level Domain
18. Faders
19. Pan pots
20. Dynamic Range Processors
21. Compressors
22. Limiters
23. Gates
24. Expanders
25. Duckers
26. Other
Frequency Domain
27. EQs
28. Distortions
29. Other
Time Domain
30 Delays
31 Delay-based effects
32. Reverb
33. Drum Triggering
34. Automation
Part III: Sample mixes
35. Show Me (Rock n’ Roll)
36. It’s Temps Pt. II (Hip Hop/Urban/Grime)
37. Donna Pomini (Techno)
38. The Hustle (DnB)
39. Hero (Rock)
Appendix A: The Science of Bouncing
Appendix B: Notes to Frequencies Chart
Appendix C: Delay Time Chart
Index
Erscheinungsdatum | 26.06.2017 |
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Zusatzinfo | 21 Tables, black and white; 120 Line drawings, black and white; 184 Halftones, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 191 x 254 mm |
Gewicht | 1655 g |
Themenwelt | Mathematik / Informatik ► Informatik |
Technik ► Nachrichtentechnik | |
ISBN-10 | 1-138-24138-5 / 1138241385 |
ISBN-13 | 978-1-138-24138-1 / 9781138241381 |
Zustand | Neuware |
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