Rock and Pop Venues
Springer Berlin (Verlag)
978-3-642-45235-2 (ISBN)
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Niels W. Adelman-Larsen was in his early twenties educated a mechanical engineer in Denmark, and in music and sound engineering at Berklee College of Music in the USA. During the next 15 years, as a full-time jazz and rock drummer, he played about 1200 concerts some of wich with top jazz performers such as late Esbjörn Svensson and Doug Raney. Such experiences, as well as jam sessions with notabilities like Joshua Redman and Pat Metheny, has made Niels aware of, as he says " what music actually can sound and feel like at its best". While still playing about 80 concerts a year he completed a master's degree with a thesis on acoustics in Danish halls for amplified music. Since 2005 Niels has been a leading writer of scientific articles on the topic. He is well-known for his passionate oral presentations and lectures and has appeared on acoustics conferences world-wide. He invented and patented a new technology for variable and mobile acoustic treatment in favour of amplified music concerts cofinanced by investors such as the Danish Ministry of Technology and Innovation. The technology was launched in 2013.
History of Pop and Rock Sound.- Terms, Language.- The Gallery of Rock, Pop and Jazz Venues.- Acoustical Principles.- Assessment of Real Halls.- Design Principles.- The Acoustics during a Gig.
Erscheint lt. Verlag | 5.6.2014 |
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Zusatzinfo | XV, 470 p. 120 illus. |
Verlagsort | Berlin |
Sprache | englisch |
Maße | 155 x 235 mm |
Gewicht | 858 g |
Themenwelt | Technik ► Maschinenbau |
Schlagworte | Bass Absorption Coefficients • Concert Halls • Reverberation Times • Sound System Chain |
ISBN-10 | 3-642-45235-3 / 3642452353 |
ISBN-13 | 978-3-642-45235-2 / 9783642452352 |
Zustand | Neuware |
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