Ubiquitous Photography (eBook)
200 Seiten
John Wiley & Sons (Verlag)
978-0-7456-7425-4 (ISBN)
landscape of visual communication and culture. Events, activities,
moments, objects, and people are 'captured' and distributed
as images on an unprecedented scale. Many of these are shared
publicly; some remain private, others become intellectual property,
and some have the potential to shape global events. In this timely
introduction, the ubiquity of photography is explored in relation
to interdisciplinary debates about changes in the production,
distribution, and consumption of images in digital culture.
Ubiquitous Photography provides a critical examination of
the technologies, practices, and cultural significance of digital
photography, placing the phenomenon in historical, social, and
political-economic context. It examines shifts in image-making,
storage, commodification, and interpretation as highly significant
processes of digitally mediated communication in an increasingly
image-rich culture. It covers debates in social and cultural
theory, the history and politics of image-making and manipulation,
the current explosion in amateur photography, tagging and sharing
via social networking, and citizen journalism. The book engages
with key contemporary theoretical issues about memory and mobility,
authorship and authenticity, immediacy and preservation, and the
increased visibility of ordinary social life.
Drawing upon a range of sources and original empirical research,
Ubiquitous Photography provides a comprehensive introduction
to critical academic debate and concrete developments in the field
of digital photography. It is essential reading for students and
scholars interested in media and society, visual culture, and
digital technology.
Martin Hand is Associate Professor in the department of sociology at Queens University, Canada. His previous works include Making Digital Cultures: Access, Interactivity and Authenticity.
Detailed Contents vi
List of Figures viii
Acknowledgements ix
1 Ubiquitous Photography: A Short Introduction 1
2 Visual Culture, Consumption and Technology 25
3 Images and Information: Variation, Manipulation and Ephemerality 59
4 Technologies and Techniques: Reconfiguring Camera, Photographer and Image 96
5 Memory and Classification: Between the Album and the Tag Cloud 143
6 Conclusion: Ubiquitous Photography and Public Culture 185
References and Bibliography 198
Index 215
"Hand proves to be a reliable guide in taking us throughwhat remains a rather bewildering landscape."
European Journal of Communication
"Photography is no longer a hobby or a discrete activity, and Martin Hand sets out in his lucid and engaging study just how it has become 'ubiquitous', modifying and making more visual a whole range of existing social practices."
Tim Dant, Lancaster University
"Hand's book sets contemporary photographic practices in the context of information technologies, changing cultural and economic forms, and a media-saturated society, and provides a lucid analysis of how these constitute "ubiquitous photography". Its combination of cultural theory, analytic insight, and ethnographic sensibility makes it indispensable reading for anyone seeking to understand contemporary visual culture."
Anne Beaulieu, University of Groningen
Erscheint lt. Verlag | 26.4.2013 |
---|---|
Reihe/Serie | DMS - Digital Media and Society |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Fotokunst |
Sozialwissenschaften ► Kommunikation / Medien ► Allgemeines / Lexika | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung | |
Technik ► Elektrotechnik / Energietechnik | |
Schlagworte | Communication & Media Studies • Kommunikation • Kommunikation u. Medienforschung |
ISBN-10 | 0-7456-7425-9 / 0745674259 |
ISBN-13 | 978-0-7456-7425-4 / 9780745674254 |
Haben Sie eine Frage zum Produkt? |
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