The Internationalisation of Copyright Law
Books, Buccaneers and the Black Flag in the Nineteenth Century
Seiten
2006
Cambridge University Press (Verlag)
978-0-521-86816-7 (ISBN)
Cambridge University Press (Verlag)
978-0-521-86816-7 (ISBN)
A comprehensive account of the internationalisation of literary copyright, focusing on nineteenth century international copyright law as it affected Europe, the British colonies (particularly Canada), America, and the UK. Explores the history of international copyright law, and looks at how this history is relevant today.
Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace.
Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace.
Vice-Principal and Director of Studies in Law, Newnham College, and Herchel Smith College Lecturer in Intellectual Property Law, Faculty of Law, University of Cambridge.
Table of cases; Table of statutes; Table of abbreviations and archive sources; 1. Introduction; 2. International copyright: four interconnected histories; 3. Towards the Berne Union; 4. Colonial challenges; 5. The independence of America; 6. Domestic problems; 7. The colours of cyberspace; Bibliography; Index.
| Erscheint lt. Verlag | 23.11.2006 |
|---|---|
| Reihe/Serie | Cambridge Intellectual Property and Information Law |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 720 g |
| Themenwelt | Recht / Steuern ► EU / Internationales Recht |
| Recht / Steuern ► Wirtschaftsrecht ► Urheberrecht | |
| Sozialwissenschaften ► Kommunikation / Medien ► Buchhandel / Bibliothekswesen | |
| ISBN-10 | 0-521-86816-5 / 0521868165 |
| ISBN-13 | 978-0-521-86816-7 / 9780521868167 |
| Zustand | Neuware |
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