Digital Literary Redlining
African American Anthologies, Digital Humanities, and the Canon
Seiten
2025
Stanford University Press (Verlag)
978-1-5036-3534-0 (ISBN)
Stanford University Press (Verlag)
978-1-5036-3534-0 (ISBN)
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While canon concerns seem to be a relic of 1990s academia, we are, once again, at a historical moment where there is resistance to teaching texts by writers of color and texts that deal with race/ethnicity and gender. At the same time algorithmic bias scholars are locating systemic bias encoded into systems from policing software to housing software. Bringing these divergent areas together, Amy E. Earhart examines how technological and institutional infrastructures construct and deconstruct race/ethnicity and gender identities.
Focusing on two central infrastructures, the database, a commonly used technological infrastructure in the digital humanities, and the anthology, a scholarly and pedagogical infrastructure, Earhart considers how such seemingly naturalized infrastructures impact the representation and modeling of identity. The book draws upon the building and use of DALA, a collection of almost 100 years of generalist American and African American literature anthologies, constructed to investigate questions of identity and representation in literary anthologies and, by extension, the larger literary canon. The resulting examination and its rigorous discussion of how identities are created and recreated within Black literary histories, has important implications for contemporary cultural and political debates about canon formation, literary scholarship, and the bias embedded in technological infrastructures.
Focusing on two central infrastructures, the database, a commonly used technological infrastructure in the digital humanities, and the anthology, a scholarly and pedagogical infrastructure, Earhart considers how such seemingly naturalized infrastructures impact the representation and modeling of identity. The book draws upon the building and use of DALA, a collection of almost 100 years of generalist American and African American literature anthologies, constructed to investigate questions of identity and representation in literary anthologies and, by extension, the larger literary canon. The resulting examination and its rigorous discussion of how identities are created and recreated within Black literary histories, has important implications for contemporary cultural and political debates about canon formation, literary scholarship, and the bias embedded in technological infrastructures.
Amy E. Earhart is Associate Professor, Department of English, Texas A&M University and author of Traces of the Old, Uses of the New: The Emergence of the Digital Literary Studies
| Erscheint lt. Verlag | 24.6.2025 |
|---|---|
| Reihe/Serie | Stanford Text Technologies |
| Zusatzinfo | 5 halftones |
| Verlagsort | Palo Alto |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-5036-3534-1 / 1503635341 |
| ISBN-13 | 978-1-5036-3534-0 / 9781503635340 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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