Made in Thailand
Routledge (Verlag)
978-0-367-70310-3 (ISBN)
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Discussing musical development and shift of sociocultural spheres of Thai popular music among nationhood, media platforms, and identity politics from the early years to the present, these scholars explore and rethink the connections between the development of Thai popular music and politics of music genres in Thailand. Made in Thailand includes a general introduction to Thai popular music, followed by essays organized into four thematic sections: Histories, Contemporary Issues, Politics of Sound, and Region and Cultural Politics. Offering a comprehensive look at popular music phenomena in the country, Made in Thailand is an essential resource for scholars and students in the fields of popular music studies, ethnomusicology, popular musicology, Asian studies, and Thai studies.
Viriya Sawangchot is a cultural researcher based in Bangkok. Recently, he has been working as a senior fellow at the Center for Geosocial and Cultural Research for Sustainable Development (GSCR) at Walailak University, Thailand.
II.
CONTENTS
Preface
Introduction
VIRIYA SAWANGCHOT
PART I : HISTORIES
1 The Amplification of Modern Music: How Does the Radio Broadcasting during 1930s - 1950s Influence Thai Popular Music?
FRANCIS NUNTASUKON
2 The 1950s-1970s Pleng Lukgrung: Urban Music and the Modern Gender in Thailand
JIRAWATE RUGCHAT
3 The Revolution of Pleng String and Politics of the 80s Generation
VIRIYA SAWANGCHOT
PART II : COMTEMPORARY ISSUES
4 Reconstructing Thai Musical Identity: The Adaptation of Classical Thai Music to Popular Music in Recent Decades
GREAT LEKAKUL
5 Notes on Gender and Aesthetic Expression in Thai Indie Scene
WANATAYA MONGKON and SIRIPAT NAKNAM
6 Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music Production
ATCHAREEYA SAISIN
7 Dancemocracy as Political Expression in the 2020 Thai Pro-democracy Movement
ANNA LAWATTANATRAKUL
PART III: POLITICS OF SOUND
8 The Representations of Music Texts and the Female Voices in Haruethai Hirunya and Fon Tanasoontorn's I Am Not Okay
KUNTHEE BANJUKEAW
9 Noise: Relistening to Non-musical Sound in Thailand
THATCHATHAM SILSUPAN
10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
PHAKPHOOM TIAVONGSUVAN
11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern Thailand
VIRIYA SAWANGCHOT and SIRASAR BOONMA
PART IV: REGION AND CULTURAL POLITICS
12 Popular Music and the (Global) South of Thailand in the Place-Making
SIRIPORN SOMBOONBOORANA
13 Song as a Resource for Cultural Translation: Tai Popular Music in the Borderlands of the Upper Mekong
WASAN PANYAGAEW
14 Morlam as Method: Isan Music and its Knowledge
GRIDTHIYA GAWEEWONG and ARTHIT MULSAN
CODA
15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in China
BRENDA CHAN
AFTERWORD
“Political Music Isn't Necessarily Boring: A Conversation with Pisitakan Kuntalang
VIRIYA SAWANGCHOT
| Erscheint lt. Verlag | 25.2.2025 |
|---|---|
| Reihe/Serie | Routledge Global Popular Music Series |
| Zusatzinfo | 1 Tables, black and white; 2 Line drawings, black and white; 29 Halftones, black and white; 31 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-367-70310-6 / 0367703106 |
| ISBN-13 | 978-0-367-70310-3 / 9780367703103 |
| Zustand | Neuware |
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