Lives of the Voice
An Essay on Closeness
Seiten
2025
Stanford University Press (Verlag)
978-1-5036-4248-5 (ISBN)
Stanford University Press (Verlag)
978-1-5036-4248-5 (ISBN)
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When it comes to understanding the ontology of individual existence—that is the everyday behaviors that we all perform and hardly ever think about—the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. They remain in our memory, and we may even "hear" them as if immediately present, but we are unable to detach the propositional contents they articulate from the centrifugal effects that they have on our lives.
Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" – referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Bartes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" – referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Bartes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
Hans Ulrich Gumbrecht is the Albert Guérard Professor in Literature Emeritus at Stanford University. His many books include Production of Presence (Stanford, 2004), In Praise of Athletic Beauty (2006), Atmosphere, Mood, Stimmung (Stanford, 2012), After 1945 (Stanford, 2013), and Crowds (Stanford, 2021), and Prose of the World (Stanford, 2021).
| Erscheint lt. Verlag | 15.4.2025 |
|---|---|
| Verlagsort | Palo Alto |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-5036-4248-8 / 1503642488 |
| ISBN-13 | 978-1-5036-4248-5 / 9781503642485 |
| Zustand | Neuware |
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