The Morph-Image
The Subjunctive Synthesis of Time
Seiten
2024
Lexington Books/Fortress Academic (Verlag)
978-1-6669-0738-4 (ISBN)
Lexington Books/Fortress Academic (Verlag)
978-1-6669-0738-4 (ISBN)
This book elucidates the ways post-cinema engages with potential futures, arguing that the morph is the crucial figure to understand both how the future is constrained and how hope for the future might be produced. The author draws on Deleuzian and Whiteheadian insights to argue for a new model of digital cinema.
In The Morph-Image: The Subjunctive Synthesis of Time, Steen Ledet Christiansen argues for a new model of digital cinema that draws on Deleuzian and Whiteheadian insights into time and the future. This model insists that the philosophy of time must be rethought to provide a better understanding of the future and that the digital capacities of post-cinema present occasions of thought well-suited to this task. The figure of the morph, Christiansen posits, allows a conception of how post-cinema expresses time as a means of capture that appears liberatory, but modulates subjectivities into temporal forms of control. These temporal forms include digital animacies, flows, loops, synthetic long takes, and disjunctive editing, all of which are false formations of freedom. Ultimately, the author positions the unruly creativity of an event’s potential, of making the impossible possible in order to bring about true advancements into novelty, as escape from this dynamic. This book contributes to both Deleuzian film theory and a burgeoning Whiteheadian film-philosophy through deep engagement with key post-cinematic films, including Holy Motors, Collateral, Domino, Limitless, Spring Breakers, and Everything Everywhere All at Once. In doing so, important concepts of potentiality, actuality, and the future are considered and addressed in relation to the contemporary capitalist regime of control.
In The Morph-Image: The Subjunctive Synthesis of Time, Steen Ledet Christiansen argues for a new model of digital cinema that draws on Deleuzian and Whiteheadian insights into time and the future. This model insists that the philosophy of time must be rethought to provide a better understanding of the future and that the digital capacities of post-cinema present occasions of thought well-suited to this task. The figure of the morph, Christiansen posits, allows a conception of how post-cinema expresses time as a means of capture that appears liberatory, but modulates subjectivities into temporal forms of control. These temporal forms include digital animacies, flows, loops, synthetic long takes, and disjunctive editing, all of which are false formations of freedom. Ultimately, the author positions the unruly creativity of an event’s potential, of making the impossible possible in order to bring about true advancements into novelty, as escape from this dynamic. This book contributes to both Deleuzian film theory and a burgeoning Whiteheadian film-philosophy through deep engagement with key post-cinematic films, including Holy Motors, Collateral, Domino, Limitless, Spring Breakers, and Everything Everywhere All at Once. In doing so, important concepts of potentiality, actuality, and the future are considered and addressed in relation to the contemporary capitalist regime of control.
Steen Ledet Christiansen is professor of culture, media, and aesthetics at Aalborg University, Denmark.
Chapter 1: The Emergence of Post-Cinematic Time — Holy Motors
Chapter 2: Errors and Unruly Images — Collateral
Chapter 3: The Disjunctive Synthesis of Time — Domino
Chapter 4: Thinking Like a Capitalist — Limitless
Chapter 5: An Excess of Future — Spring Breakers
Chapter 6: Fabulating the Future — Everything Everywhere All at Once
Erscheinungsdatum | 17.09.2024 |
---|---|
Sprache | englisch |
Maße | 159 x 236 mm |
Gewicht | 540 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-6669-0738-3 / 1666907383 |
ISBN-13 | 978-1-6669-0738-4 / 9781666907384 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Eine Einführung
Buch | Softcover (2022)
Springer VS (Verlag)
CHF 46,15
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …
Buch | Hardcover (2023)
Heyne (Verlag)
CHF 29,90