Film Adaptations of Russian Classics
Dialogism and Authorship
Seiten
2024
Edinburgh University Press (Verlag)
978-1-4744-9914-9 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-9914-9 (ISBN)
- Noch nicht erschienen (ca. November 2024)
- Versandkostenfrei
- Auch auf Rechnung
- Artikel merken
Discusses film adaptations of Russian classics since the 1960s
The volume examines several screen adaptations of works written by mid- and late nineteenth-century authors, who constitute the hallmark of the Russian cultural brand, finding favour with audiences in Russia and in the West. It considers reimagining of Goncharov, Turgenev, Dostoevsky, Chekhov and Tolstoy in different contexts.
The book examines various types of adaptation, including transposition, commentary, and analogy. It focuses on established Russian and western filmmakers' dialogue with the classics taking place in the last 60 years. The book shows how the ideological and/or philosophical concerns of the day serve as a lens for a specific reading of the novel, the story, or the play. By foregrounding a synergetic literary-cinematic space, the book demonstrates how the director becomes a creative mediator between his audiences and the author, taking account of contemporary epistemological imperatives and the particularities of the reception by viewers.
The volume examines several screen adaptations of works written by mid- and late nineteenth-century authors, who constitute the hallmark of the Russian cultural brand, finding favour with audiences in Russia and in the West. It considers reimagining of Goncharov, Turgenev, Dostoevsky, Chekhov and Tolstoy in different contexts.
The book examines various types of adaptation, including transposition, commentary, and analogy. It focuses on established Russian and western filmmakers' dialogue with the classics taking place in the last 60 years. The book shows how the ideological and/or philosophical concerns of the day serve as a lens for a specific reading of the novel, the story, or the play. By foregrounding a synergetic literary-cinematic space, the book demonstrates how the director becomes a creative mediator between his audiences and the author, taking account of contemporary epistemological imperatives and the particularities of the reception by viewers.
| Erscheint lt. Verlag | 30.11.2024 |
|---|---|
| Zusatzinfo | 20 black and white illustrations, 1 black and white table |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4744-9914-7 / 1474499147 |
| ISBN-13 | 978-1-4744-9914-9 / 9781474499149 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …
Buch | Hardcover (2023)
Heyne (Verlag)
CHF 29,90
Eine Einführung
Buch | Softcover (2022)
Springer VS (Verlag)
CHF 46,15
