Cinema and the Indian National Emergency
Bloomsbury Academic (Verlag)
978-1-350-37113-2 (ISBN)
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This book examines the strained relationship between the state and the Indian film industry during this 21 month period of political upheaval. Each of the essays, written from a broad range of critical perspectives, consider the various modes of state suppression adopted, from increasing levels of film censorship to police surveillance of film productions and exhibitions.
Contributors analyse controversial films such as Aandhi (1975) and Nasbandi (1978), which were banned for the duration of the Emergency, and overtly political films such as Kissa Kursi Ka (1977), the prints of which were permanently confiscated owing to the film’s criticisms of the state. They also consider the political and aesthetic dilemmas of state-sponsored films such as Ashadh Ka Ek Din (1971), which was made to be explicitly apolitical and came to be known as a key work of New Indian Cinema.
Parichay Patra is Assistant Professor of Humanities and Social Sciences at the Indian Institute of Technology, Jodhpur, India. His research interests include transnational associations of cine-politics and the dictatorial regimes of the long 1960s. Dibyakusum Ray is Lecturer in English, Philosophy and Cultural Studies at the Indian Institute of Technology, Ropar, India. He is author of Postcolonial Indian City-Literature: Policy, Politics and Evolution (2022). He is head of the centrally funded project on the archiving of lost media elements during the Indian National Emergency, 1975-77, in collaboration with Royal Holloway College, UK.
Foreword
Introduction
Part I: Institutional History, Cine-Politics and the Dictatorial
1. Indira Gandhi and Indian Cinema - M. Madhava Prasad (English and Foreign Languages University, Hyderabad, India)
2. New Cinema, The Film Finance Corporation (FFC) and National Film Development Corporation (NFDC) , and the Emergency - Sudha Tiwari (School of Liberal Studies, UPES, Dehradun, India)
3. A Patron and a Tyrant: Film Society Movement and State Patronage - Amrit Gangar (independent scholar, film curator, India)
Part II: Media, Propaganda, Censorship
1. The Emergency and Its Media Afterlife - Ranjani Mazumdar (Jawaharlal Nehru University, New Delhi, India)
2. A Medium Besieged - Someswar Bhowmik (St. Xavier’s College, Kolkata, India)
3. Traces and Counter-Traces: The Emergency Films of S. Sukhdev - Veena Hariharan (Jawaharlal Nehru University, New Delhi, India)
Part III: Archiving the Dictatorial
1. The Emergency and the Everyday: Curating the Ordinary in Catastrophic Time - Ashish Rajadhyaksha (Centre for the Study of Culture and Society, Bengaluru, India):
2. The Event and the Archive - Vinayak Das Gupta (Shiv Nadar University, Noida, India)
Part IV: Films and Afterlives of the Dictatorial
1. In Defense of a Not-So-Political Cinema - Parichay Patra (Indian Institute of Technology, Jodhpur, India)
2.“Extremely Loud & Incredibly Close”: the populism of the 1980s Hindi Cinema and the Emergency’s after text - Dibyakusum Ray (Indian Institute of Technology, Ropar, India)
3. The Long 1970s - Kaushik Bhaumik (Jawaharlal Nehru University, New Delhi, India)
Endnotes
Bibliography
Index
| Erscheint lt. Verlag | 1.5.2025 |
|---|---|
| Reihe/Serie | World Cinema |
| Zusatzinfo | 30 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-350-37113-0 / 1350371130 |
| ISBN-13 | 978-1-350-37113-2 / 9781350371132 |
| Zustand | Neuware |
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