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Literary Materialisations and Interferential Reading

Making Matter Matter on Page, Stage and Screen

Ingrid Hotz-Davies, Martin Middeke, Christoph Reinfandt (Herausgeber)

Buch | Hardcover

288 Seiten

2025
Routledge (Verlag)
978-1-032-29460-5 (ISBN)

Noch nicht erschienen (ca. Januar 2025)
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It traces literature’s long history of repurposing representational language use for performative, ‘material’ effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory and proposes a methodology of Interferential Reading with examples ranging from Shakespeare to contemporary media art

This book traces literature’s long history of repurposing representational language use for performative, ‘material’ effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting-edge new-materialist theories, the book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Collette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie, from British thing essays to J G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.

Ingrid Hotz-Davies is Professor of English Literature and Gender Studies at the University of Tübingen. Martin Middeke holds the Chair of English Literature at the University of Augsburg and is Visiting Professor at the University of Johannesburg, South Africa. Christoph Reinfandt holds the Chair of English Literature at the University of Tübingen.

Acknowledgments

List of Contributors

PART I: Method Matters

1 Literary Materialisations and Interferential Reading:
How Matter Matters on Page, Stage and Screen

Ingrid Hotz-Davies, Martin Middeke & Christoph Reinfandt

2 From Paper to Pulp: A Report from No Man’s Land

Tom McCarthy

3 In the Blink of an Eye: Sound Matter, Eye-Movement and Poetic Form

Felix Sprang

4 Concrete Structures (in) J. G. Ballard’s Concrete Island

Kylie Crane

PART II: Fictional Materialisations

5 Moral Matters: Power, Coloniality, and Narrative in Hanya Yanagihara’s The People in the Trees

Gero Bauer

6 Longing for Matter: Nicola Barker’s Exploration of Transhuman Existence in H(A)PPY

Ingrid Hotz-Davies

7 Invisible Materiality and Suprapersonal Narration in Richard Powers’s The Overstory

Christoph Reinfandt

8 “The Entirety of the Shape Is Complicit”: A Diffractive Reading of Colum McCann’s Apeirogon

Martin Riedelsheimer

PART III: Poetic Materialisations

9 Making Embodiment Matter in John Donne’s ‘The Cross,’ ‘The Triple Fool’ and Death’s Duel

Nadine Böhm-Schnitker

10 Here, Hair, and History: Keats’s Poetics of Materiality

David Lo

11 Language Matters: Perception and Expression in Herder, Wordsworth and

Tennyson

Philipp Erchinger

12 “The Mould Is Blossoming on the Wall”: Assemblages of Vibrant Borders in Northern Irish Poems by Collette Bryce & Sinéad Morrissey

Jessica Bundschuh

PART IV: Performing Matter

13 Against the ‘Myth of Non-Mediation’: Displacing the Aura and the Materiality of Live

Theatre Broadcasting

Heidi Liedke

14 Theatre as Assemblage: Materiality and/as Texture in Tim Crouch’s Total Immediate Collective Imminent Terrestrial Salvation

Martin Middeke

15 Materiality, Affectivity, and the Female Disabled Body in Contemporary Automedial Art

Katrin Röder

PART V: Emergent Genres

16 Of Broomsticks and Doughnuts: Theorising and Historicising British and Anglo-Irish Thing-Essays from 1701 until 2021

Daniel Schneider

17 Prose for a More-Than-Human World: John Berger, Kathleen Jamie and the Ends of Genre

Christian Schmitt-Kilb

18 The Practice of Colour Writing: Material-Discursive Colourscapes in Han Kang’s The White Book

Mascha Wieland

Index

Erscheint lt. Verlag	1.1.2025
Reihe/Serie	Routledge Studies in Contemporary Literature
Zusatzinfo	1 Tables, black and white; 8 Halftones, black and white; 8 Illustrations, black and white
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Themenwelt	Geisteswissenschaften ► Psychologie ► Psychoanalyse / Tiefenpsychologie
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Medizin / Pharmazie ► Medizinische Fachgebiete ► Psychiatrie / Psychotherapie
	Sozialwissenschaften ► Ethnologie
	Sozialwissenschaften ► Soziologie
ISBN-10	1-032-29460-4 / 1032294604
ISBN-13	978-1-032-29460-5 / 9781032294605
Zustand	Neuware