Scottish Women's Writing in the Long Nineteenth Century
The Romance of Everyday Life
Seiten
2024
Cambridge University Press (Verlag)
978-1-108-99981-6 (ISBN)
Cambridge University Press (Verlag)
978-1-108-99981-6 (ISBN)
Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
Walter Scott's tales of chivalry and adventure inaugurated a masculinized Scottish romance tradition that celebrated a sublime and heroic version of Scotland. Nineteenth-century Scotswomen responded to Scott's influence by establishing a counter-tradition of unromantic or even anti-romantic representations of Scotland. Their novels challenged the long-standing claim that Scotland lacked any equivalent to the English realist novel. In turning from the past to the present and from the sublimity of Scott's Highland landscapes to farmhouses, factories, and suburban villas, Scottish women writers brought romance to everyday life, illuminating the magnificence of the mundane. Drawing on the evangelical discourses emerging from the splintering of the Presbyterian Church in 1843, they represented fiction as a form of spiritual comfort, an antidote to the dreary monotony and petty frustrations of daily existence. This volume introduces the previously overlooked tradition of nineteenth-century Scottish women's writing, and corrects previously male-dominated histories of the Scottish novel.
Walter Scott's tales of chivalry and adventure inaugurated a masculinized Scottish romance tradition that celebrated a sublime and heroic version of Scotland. Nineteenth-century Scotswomen responded to Scott's influence by establishing a counter-tradition of unromantic or even anti-romantic representations of Scotland. Their novels challenged the long-standing claim that Scotland lacked any equivalent to the English realist novel. In turning from the past to the present and from the sublimity of Scott's Highland landscapes to farmhouses, factories, and suburban villas, Scottish women writers brought romance to everyday life, illuminating the magnificence of the mundane. Drawing on the evangelical discourses emerging from the splintering of the Presbyterian Church in 1843, they represented fiction as a form of spiritual comfort, an antidote to the dreary monotony and petty frustrations of daily existence. This volume introduces the previously overlooked tradition of nineteenth-century Scottish women's writing, and corrects previously male-dominated histories of the Scottish novel.
JULIET SHIELDS is a Professor of English at the University of Washington. She is also the author of Sentimental Literature and Anglo-Scottish Identity (2010) and Nation and Migration: the Making of British Atlantic Literature (2016).
Introduction: The Scottish Novel after Scott; 1. Oliphant, Scott, and the Novelist's Trade; 2. Annie S. Swan's Friendly Fiction; 3. The Scottish New Woman and the Art of Self-Sacrifice; 4. The Colonial Adventure Story and the Return of Romance; 5. Scottish Modernism and Middlebrow Aesthetics; Conclusion: The Ethics and Politics of Transfiguring the Commonplace.
| Erscheinungsdatum | 10.08.2024 |
|---|---|
| Reihe/Serie | Cambridge Studies in Nineteenth-Century Literature and Culture |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 328 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 1-108-99981-6 / 1108999816 |
| ISBN-13 | 978-1-108-99981-6 / 9781108999816 |
| Zustand | Neuware |
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