Global Movie Magazine Networks
Seiten
2025
University of California Press (Verlag)
978-0-520-40276-8 (ISBN)
University of California Press (Verlag)
978-0-520-40276-8 (ISBN)
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis.
This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis.
Eric Hoyt is Kahl Family Professor of Media Production in the Department of Communication Arts at the University of Wisconsin–Madison. He is the author of Ink-Stained Hollywood: The Triumph of American Cinema’s Trade Press and Hollywood Vault: Film Libraries before Home Video. He also serves as Director of the Media History Digital Library and Director of the Wisconsin Center for Film and Theater Research. Kelley Conway is Professor of Film in the Department of Communication Arts at the University of Wisconsin–Madison. She is the author of Agnès Varda and Chanteuse in the City: The Realist Singer in French Film.
| Erscheint lt. Verlag | 7.1.2025 |
|---|---|
| Zusatzinfo | 40 color illustrations, 35 b-w illustrations, 3 tables |
| Verlagsort | Berkerley |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 680 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-520-40276-6 / 0520402766 |
| ISBN-13 | 978-0-520-40276-8 / 9780520402768 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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