Showing Resistance
Propaganda and Modernist Exhibitions in Britain, 1933–53
Seiten
2024
Manchester University Press (Verlag)
978-1-5261-5741-6 (ISBN)
Manchester University Press (Verlag)
978-1-5261-5741-6 (ISBN)
This study charts how exhibitions were used for propaganda and political intervention during the two decades from 1933: giving urgent warnings against the rise of fascism, providing practical information about how to live frugally and signalling international political alignments, beliefs and affiliations. -- .
How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.
Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.
Showing resistance is the first study of exhibitions as communications in mid-twentieth century Britain.
An electronic edition of this book is freely available under a Creative Commons (CC BY) licence. -- .
How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.
Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.
Showing resistance is the first study of exhibitions as communications in mid-twentieth century Britain.
An electronic edition of this book is freely available under a Creative Commons (CC BY) licence. -- .
Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton -- .
Introduction: exhibitions as ‘propaganda in three dimensions’
1 Banishing ‘chaos, vulgarity and mediocrity’: training as an exhibition designer
2 Exhibitions as projection, promotion, policy and activism in three dimensions
3 Exhibitions as manifestos
4 Exhibitions as demonstrations
5 Counter-exhibitions
6 Exhibitions as solidarities
7 Exhibitions as weapons of war
8 Exhibitions as welfare
Conclusion
Index -- .
| Erscheinungsdatum | 04.07.2024 |
|---|---|
| Reihe/Serie | Studies in Design and Material Culture |
| Zusatzinfo | 108 colour illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 170 x 240 mm |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften | |
| ISBN-10 | 1-5261-5741-1 / 1526157411 |
| ISBN-13 | 978-1-5261-5741-6 / 9781526157416 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
der stille Abschied vom bäuerlichen Leben in Deutschland
Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 32,15
vom Mittelalter bis zur Gegenwart
Buch | Softcover (2024)
C.H.Beck (Verlag)
CHF 16,80
