Migration, Dislocation and Movement on Screen

Buch | Hardcover

208 Seiten

2024
Berghahn Books (Verlag)
978-1-80539-594-2 (ISBN)

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Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.

Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.

Acknowledgements

Introduction

Ruxandra Trandafoiu

Part I: Migration

Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility

Chris Campanioni

Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse

Antonina Anisimovich

Chapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German Cinema

Owen Evans

Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)

Ali H. Kocatürk

Part II: Dislocation

Chapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders

Andreas Hudelist

Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition

Sony Jalarajan Raj and Rohini Sreekumar

Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema

Gaia Peruzzi, Marco Bruno and Alessandra Massa

Chapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El Hagar

Ruxandra Trandafoiu and Roger Shannon

Postscript

Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar

Conducted by Roger Shannon

Index

Erscheinungsdatum	13.06.2024
Verlagsort	Oxford
Sprache	englisch
Maße	152 x 229 mm
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
	Sozialwissenschaften ► Soziologie
ISBN-10	1-80539-594-7 / 1805395947
ISBN-13	978-1-80539-594-2 / 9781805395942
Zustand	Neuware