Nicht aus der Schweiz? Besuchen Sie lehmanns.de

Freaks in Late Modernist American Culture

Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers

(Autor)

Buch | Softcover
212 Seiten
2024 | New edition
Peter Lang Publishing Inc (Verlag)
978-1-63667-590-9 (ISBN)

Lese- und Medienproben

Freaks in Late Modernist American Culture - Nancy Bombaci
CHF 49,95 inkl. MwSt
Freaks in Late Modernist American Culture explores the emergence of what Nancy Bombaci terms “late modernist freakish aesthetics” – a creative fusion of “high” and “low” themes and forms in relation to distorted bodies. This narrative perspective subverts and reinvents high modernist literary and social ideologies.
This updated, new edition of this book explores the emergence of what the author terms "late modernist freakish aesthetics"– a creative fusion of "high" and "low" themes and forms in relation to distorted bodies. Literary and cinematic texts about "freaks" by Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers subvert and reinvent modern progress narratives in order to challenge high modernist literary and social ideologies. These works are marked by an acceptance of the dysteleology, anarchy, and degeneration that racist discourses of the late nineteenth and early twentieth centuries associated with racial and ethnic outsiders, particularly Jews. In a period of American culture beset with increasing pressures for social and political conformity and with the threat of fascism from Europe, these late modernist narratives about "freaks" defy oppressive norms and values as they search for an anarchic and transformational creativity.

Nancy Bombaci, Associate Professor of Writing and Literature in New London, Connecticut, received her Ph.D. in English from Fordham University. She has published articles on modern and postmodern fiction. Her interests also include disability studies, performance studies, writing pedagogy, and creative writing.

Acknowledgments – Introduction – Degeneration, Anti- Semitism, and the Enfreakment of Modernism – Nathanael West’s Aspiring Freakish Flâneurs – “Well of Course, I Used to Be Absolutely Gorgeous, Dear”: The Female Interviewer as Subject/ Object in Djuna Barnes’s Journalism – Heredity, Transvestism, and the Limits of Self- Fashioning in Nightwood – Horror, Melodrama, and Mutable Masculine Identity in Tod Browning’s Films – ‘‘This Thing I Long For I Know Not What”: Carson McCullers and the Melodrama of the Domesticated Freak – Conclusion: Deviance, Defiance, and the Problem of “Weirdness” – Afterword: The Freakish Flâneur Reconsidered – Bibliography – Index.

Erscheinungsdatum
Reihe/Serie Modern American Literature ; 75
Mitarbeit Herausgeber (Serie): Yoshinobu Hakutani
Verlagsort New York
Sprache englisch
Maße 150 x 225 mm
Gewicht 317 g
Themenwelt Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Religion / Theologie Weitere Religionen
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Soziologie Gender Studies
ISBN-10 1-63667-590-5 / 1636675905
ISBN-13 978-1-63667-590-9 / 9781636675909
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
der Kaiser, dem die Welt zerbrach

von Heinz Schilling

Buch | Hardcover (2023)
C.H.Beck (Verlag)
CHF 47,60
Universalgelehrter, Polarreisender, Entdecker

von Günther Wessel

Buch | Hardcover (2024)
mareverlag
CHF 39,20