Bob Dylan on Film
The Intersection of Music and Visuals
Seiten
2024
Routledge (Verlag)
978-1-138-58632-1 (ISBN)
Routledge (Verlag)
978-1-138-58632-1 (ISBN)
Delving into Bob Dylan's distinctive cinematic journey, this book explores his experimental, boundary-pushing artistry from Dont Look Back to Masked and Anonymous. It sheds light on his lesser-known foray into filmmaking, bridging the realms of music and cinema.
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.
Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.
Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
Jonathan Hodgers received his PhD in music from Trinity College Dublin, where he currently teaches in the Music Department. His core areas of interest are popular music history, audio-visual aesthetics, and the pop song in cinema. He is a member of the editorial board for the journal The Dylan Review and has published articles and given talks on Bob Dylan.
Thanks and Acknowledgements
Preface
1. 1. Introduction
2. 2. Dont Look Back
3. 3. Eat the Document
4. 4. Pat Garrett and Billy the Kid
5. 5. Renaldo and Clara
6. 6. Hearts of Fire
7. 7. Masked and Anonymous
8. 8. Conclusion
Glossary
Index
| Erscheinungsdatum | 21.04.2024 |
|---|---|
| Reihe/Serie | Ashgate Screen Music Series |
| Zusatzinfo | 1 Tables, black and white; 6 Halftones, black and white; 6 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-138-58632-3 / 1138586323 |
| ISBN-13 | 978-1-138-58632-1 / 9781138586321 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
wie wir unsere Musikkultur retten
Buch | Hardcover (2023)
Frankfurter Allgemeine Buch (Verlag)
CHF 38,90
