Transmodern Cinema and Decolonial Film Theory
Bloomsbury Academic USA (Verlag)
978-1-5013-8511-7 (ISBN)
Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine’s (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.
Robert K. Beshara is Associate Professor and Chair of Arts & Human Sciences at Northern New Mexico College, USA. He is the author of Decolonial Psychoanalysis: Towards Critical Islamophobia Studies (2019) and Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis (2021). He is also the editor of A Critical Introduction to Psychology (2019) and Critical Psychology Praxis: Psychosocial Non-Alignment to Modernity/Coloniality (2021), as well as the translator of Mourad Wahba's (1995) Fundamentalism and Secularization (Bloomsbury, 2022). Beshara is the founder of the Critical Psychology website: www.criticalpsychology.org.
Acknowledgments
Introduction
1. Decolonial Film Theory
2. Ibn Rushd (1126 - 1198)
3. Youssef Chahine (1926 - 2008)
4. The Decoloniality of Poetics: al-Ma?ir (1997)
Conclusion. The Future of Decolonial Film Theory
Further Reading on Youssef Chahine
Youssef Chahine’s Filmography
References
Index
| Erscheinungsdatum | 16.04.2024 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-5013-8511-9 / 1501385119 |
| ISBN-13 | 978-1-5013-8511-7 / 9781501385117 |
| Zustand | Neuware |
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