The Archival Afterlives of Philippine Cinema
Duke University Press (Verlag)
978-1-4780-2573-3 (ISBN)
Bliss Cua Lim is Professor of Cinema Studies at the University of Toronto and the author of Translating Time: Cinema, the Fantastic, and Temporal Critique, also published by Duke University Press.
Acronyms ix
Acknowledgments xi
Introduction. Keywords for Philippine Cinema’s Archival Afterlives 1
1. A Tale of Three Buildings: Marcos Cultural Policy and Anarchival Temporality 51
2. Silence, Perseverance, and Survival in State-Run Philippine Film Archives 76
3. Privatization and the ABS-CBN Film Archives 107
4. Queer Anachronisms and Temporalities of Restoration: T-Bird at Ako 133
5. Informal Archiving in a Riverine System: Video 48 and the Kalampag Tracking Agency 173
6. Binisaya: Archival Power and Vernacular Audiences in Iskalawags 214
Epilogue. Of Audiences and Archival Publics: Pepot Artista 256
Notes 277
Bibliography 339
Index 375
Erscheinungsdatum | 03.10.2023 |
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Reihe/Serie | A Camera Obscura book |
Zusatzinfo | 89 illustrations |
Verlagsort | North Carolina |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 445 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-4780-2573-5 / 1478025735 |
ISBN-13 | 978-1-4780-2573-3 / 9781478025733 |
Zustand | Neuware |
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