Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era
Amsterdam University Press (Verlag)
978-94-6372-835-5 (ISBN)
Gina Marchetti serves as Chair of Humanities and Media Studies, Pratt Institute. Her books include Romance and the “Yellow Peril”: Race, Sex and Discursive Strategies in Hollywood Fiction (California, 1993) and Citing China: Politics, Postmodernism, and World Cinema (Hawai’i, 2018).
Acknowledgements
Note on Romanization
1. Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
2. The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
3. The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
4. A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
5. The Queer Gaze Across the Gay-Straight Generational Divide: Small Talk (2017) and A Dog Barking at the Moon (2019)
6. The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
7. Oppositional Optics: The View from Hong Kong
8. From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
9. Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
10. Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
Filmography
Bibliography
Index
Erscheinungsdatum | 05.12.2023 |
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Reihe/Serie | Critical Asian Cinemas |
Zusatzinfo | 36 Illustrations, black and white |
Verlagsort | Amsterdam |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 94-6372-835-X / 946372835X |
ISBN-13 | 978-94-6372-835-5 / 9789463728355 |
Zustand | Neuware |
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