Theater(s) and Public Sphere in a Global and Digital Society, Volume 2

Case Studies

Buch | Softcover

248 Seiten

2023
Haymarket Books (Verlag)
979-8-88890-021-5 (ISBN)

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Volume 2 of Theater(s) and Public Sphere in a Global and Digital Society continues the exploration of the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfulness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave together the meaning of territories, contexts, and peoples, and also of the generations who traverse them. This volume examines several case studies in the relationship between cultural forms and society.

These forms of meaning interact with the social imaginary, mediate marginalization, transform barriers into bridges, and are indispensable tools for any social coexistence and its continuous rethinking in everyday life. The various epistemic approaches present here refer to sociology, theatre studies, cultural studies, psychology, economy of culture, and social statistics which observe theatre as a social phenomenon.

Contributors are: Maria Shevstova, Ilaria Riccioni, Roberta Paltrinieri, Gerhard Glüher, Raimondo Guarino, Mariselda Tessarolo, Raffaele Federici, Marco Serino, Maria Grazia Turri, Elena Olesina, Elena Polyudova, Marisol Facuse, Vincenzo Del Gaudio, Laura Gemini, Stefano Brilli, Jessica Camargo Molano, Annalisa Cicerchia, Simona Staffieri and Giulia Cavrini.

Ilaria Riccioni, Ph.D. (2003) “La Sapienza” University of Rome, is Tenured Researcher of General Sociology at the Free University of Bolzano-Bozen. She has published many monographs and articles of social theory and on the social impact of artistic phenomena, including “Futurism: Anticipating Postmodernism” (Mimesis International, 2019).

Preface

Acknowledgements

List of Figures and Tables

Notes on Contributors

1 The Impact of Theatre in a Multilingual Province The Case of the Teatro Stabile of Bolzano between New and Old Generations

Ilaria Riccioni

2 The Anomaly of the Teatro Stabile of Bolzano A Public Theater on the Border, between Different Languages and Cultures

Marco Bernardi

3 State Theater of Bolzano. 70 years History and Shows in a Book

Massimo Bertoldi

4 The Interviews for the Research on the Teatro Stabile di Bolzano Some Methodological Considerations

Eleonora Sparano

5 Social Theatre, a Polyphonic Dramaturgy of the Community

Claudio Bernardi

6 From the Creative Process to the Relationship with the City The Theatre of the ‘Margin’ by the Carullo-Minasi Company (Messina, 2011–2021)

Katia Trifirò

7 Theatre Festivals and Urban Public Border Crossing Practices in Comparison

Benedetta Pratelli

8 A Relational Theatre Fabrizio Crisafulli’s “Theatre of Places”

Mara Nerbano

9 Introducing Performing Human Rights

Roberto Prestigiacomo

10 On Stage without a Script A Theatrical Workshop for Professional Training

Tiziana Tesauro

11 The Theater of the Oppressed as a Martial Art Theatre, Community, Pedagogy and Politics

Alessandro Tolomelli

12 Pier Paolo Pasolini and the Theatre of the Word

Emanuele Stochino

13 Dramaturgies of Distancing Dance and Public Space in the Covid Era

Andrea Zardi

14 La Trilogia del naufragio by Lina Prosa Dramaturgy and Poetic of Inclusion

Chiara Pasanisi

15 The Lavanderia a Vapore, from Madhouse to Dancehouse A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities

Matteo Tamborrino

16 Performing Arts and Practices for the Inclusion of Migrants in Milan

Martina Guerinoni

17 Teleaudiencias Teatrales Crisis of a Representation

Daniela Salinas Frigerio

Index

Erscheinungsdatum	16.12.2023
Reihe/Serie	Studies in Critical Social Sciences
Zusatzinfo	Illustrations
Verlagsort	Chicago
Sprache	englisch
Maße	152 x 228 mm
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
Themenwelt	Sozialwissenschaften ► Soziologie ► Empirische Sozialforschung
ISBN-13	979-8-88890-021-5 / 9798888900215
Zustand	Neuware