Liberal Lives and Activist Repertoires
Political Performance and Victorian Social Reform
Seiten
2023
Cambridge University Press (Verlag)
978-1-009-29753-0 (ISBN)
Cambridge University Press (Verlag)
978-1-009-29753-0 (ISBN)
Examining political performances' spatial arrangements, casting of roles, authorization of speech, oratorical techniques, styles of movement, behavioral conventions, and audience reactions, this book shows how nineteenth-century activists innovatively connected performative forms to critical content in order to make their activism more effective.
This ambitious study traces the strategies of human rights activists to show how world-changing reform movements were shaped by women and men from modest backgrounds who were deeply attuned to the power of performance. Tracy C. Davis explores nineteenth-century reform campaigns through the pioneering work of a family of activists – prominent anti-slavery lecturer George Thompson, his daughter Amelia (the first female theatre and music critic for a British daily newspaper) and her husband, the political organizer Frederick Chesson. Engaging in some of the most important social struggles of the late Georgian and Victorian periods – including abolition, enfranchisement, and anti-genocide - this book reveals how two generations' insights into performance consolidated into activist tactics that persist today. Characterised by a skilful deployment of performance theory alongside deep and wide-ranging historical knowledge, this ground-breaking work demonstrates what 'dramaturgy' can teach us about 'history'.
This ambitious study traces the strategies of human rights activists to show how world-changing reform movements were shaped by women and men from modest backgrounds who were deeply attuned to the power of performance. Tracy C. Davis explores nineteenth-century reform campaigns through the pioneering work of a family of activists – prominent anti-slavery lecturer George Thompson, his daughter Amelia (the first female theatre and music critic for a British daily newspaper) and her husband, the political organizer Frederick Chesson. Engaging in some of the most important social struggles of the late Georgian and Victorian periods – including abolition, enfranchisement, and anti-genocide - this book reveals how two generations' insights into performance consolidated into activist tactics that persist today. Characterised by a skilful deployment of performance theory alongside deep and wide-ranging historical knowledge, this ground-breaking work demonstrates what 'dramaturgy' can teach us about 'history'.
Tracy C. Davis is Barber Professor of Performing Arts and Professor of English and Theatre at Northwestern University. She has published books on nineteenth-century theatre, the economics and business history of theatre, performance theory, and gender and theatre. Her latest book combines these interests in a study of two generations of Victorian activists.
Introduction: History as Performance History; 1. Forms and Increments of Performance; 2. Change Making: Incrementalism; 3. Bildung: Leveraging Critique to Propel the Precarious into Political Life; 4. Combative Pens; 5. Experiments in Becoming.
| Erscheinungsdatum | 11.07.2023 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 161 x 237 mm |
| Gewicht | 680 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Sozialwissenschaften ► Soziologie ► Empirische Sozialforschung | |
| ISBN-10 | 1-009-29753-8 / 1009297538 |
| ISBN-13 | 978-1-009-29753-0 / 9781009297530 |
| Zustand | Neuware |
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