The Undead in the 21st Century
Peter Lang International Academic Publishers (Verlag)
978-1-78997-736-3 (ISBN)
«Beyond the narrow application to the pop-cultural zombie, Simon Bacon’s editorial definition of the concept of being «undead» generates discussions in each chapter that creatively engage with the full agenda of critical debates in studies of horror and the gothic. With each chapter, the book unpacks the dense implications of its key concept, as it explores what it means to be undead, to determine who is and who isn’t, and how this matters. The book earns its rewards as a «Companion» in the true sense of the term since it is sure to accompany many curious and critical journeys through undead twenty-first-century culture.»
(Professor Steffen Hantke, Sogang University, Seoul, author of Monsters in the Machine: Science Fiction Film and the Militarization of America after World War II)
Who are the Undead?
The twenty-first century is truly the age of the undead. They are no longer just vampires or zombies, but every kind of monster that can be imagined. More so, they not only live in the alien terrain of our imaginations or nightmares but are embedded into the very nature of our existence in the neverending catastrophe of the 2000s. Featuring leading scholars such as David Punter, Roger Luckhurst, Jeffrey Andrew Weinstock and Lorna Piatti-Farnell amongst many others, the 30 original essays in The Undead in the 21st Century: A Companion describe and explain how the various fears and anxieties we have around such things as contagion, the environment, geopolitics and even ageing give form to the multifarious undead that plague our existence and seem bent on our destruction. However, as shall be argued here, if we can recognise and understand the undead they might not be the end of humanity as we know it, but possibly a way to exist beyond it.
Simon Bacon is an award-winning writer and film critic based in Poznań, Poland. He is the Series Editor for Genre Fiction and Film Companions with Peter Lang, to which he has also contributed The Gothic (2018), Horror (2019), Monsters (2020) and Transmedia Cultures (2021). He is also the editor of Transmedia Vampires (2021), Nosferatu in the 21st Century (2022) and The Anthropocene and the Undead (2022). He has published a series of monographs on vampires in popular culture: Becoming Vampire: Difference and the Vampire in Popular Culture (2016), Dracula as Absolute Other (2019), Eco-Vampires (2020), Vampires from Another World (2021) and 1000 Vampires on Screen (forthcoming).
Contents: Undead Cultures in the Global Present – Mikel J. Koven: Hereditary (Ari Aster, 2018) – Folk Horror and the Undead – Cristina Santos: La Llorona (Various, 2006–2019) – Mexican Undead – Iain Robert Smith: Go Goa Gone (Raj and D. K., 2013) – Bollywood Undead – John R. Ziegler: Wakening (Danis Goulet, 2013) – Métis-Cree Undead – Naomi Simone Borwein: Killer Native (Bjorn Stewart, 2019) – Australian Aboriginal Undead – Katarzyna Ancuta: Seoul Station (Sang-ho Yeon, 2016) – South Korean Undead – The Undead and Never-ending Present – Dara Downey: The Haunting of Hill House (Mike Flanagan, 2018) – Domestic Undead – Tyler Unsell: The Girl with All the Gifts (Colm McCarthy, 2016) – Undead Classroom – Antares Leask: ZOMBIES 2 (Paul Hoen, 2020) – Anti-racist Undead – Natalie Wilson: Deadgirl (Marcel Sarmiento and Gadi Harel, 2017) – Undead Rape Culture – Brandon R. Grafius: The Nun (Corin Hardy, 2018) – Religious Undead – Laura R. Kremmel: Saint Maud (Rose Glass, 2019) – Medical Undead – Jeffrey Andrew Weinstock: Bubba Ho-tep (Don Coscarelli, 2002) – Ageing and the Undead – Gina Wisker: Relic (Natalie Erika James, 2020) – Undead Heritage – Undying Identity – Leah Richards: AHS: Hotel (Ryan Murphy and Brad Falchuk, 2015–2016) and The Strain (Guillermo del Toro and Chuck Hogan, 2014–2017) – Undead Children – Sara Williams: Suspiria (Luca Guadagnino, 2018) – Undead Motherhood – Valerie Estelle Frankel: Game of Thrones (David Benioff, 2011–2019) – Undead Masculinity – Madeleine Mackenzie: Dorohedoro (Q Hayashida, 2000–2018) – Transgender Undead – Martine Mussies: «The Zombie Mermaid» (Katelynn E. Koontz, 2018) – Undead Mermaids – Gwyneth Peaty: Bloodthirsty (Amelia Moses, 2021) – Undead Celebrity – Antonio Alcala Gonzalez: Behemoth (Nergal and others, 1991–Present) – Extreme Metal and the Undead – Undead Futures – Persephone Braham: Wicked Weeds (Pedro Cabiya, 2011 [trans. 2016]) – Meta Undead – Jay Treagus and Nicola Young: Get Out (Jordan Peele, 2017) – The Undead and Afrofuturism – Mikaela Bobiy: Les Revenants (Fabrice Gobert, 2012–2015) – Environmental Undead – Catherine Pugh: Antisepticeye (Seán McLoughlin, 2016) – Online Undead – Ildikó Limpár: Westworld (Lisa Joy and Jonathan Nolan, 2016–Present) – Posthuman Undead – Lorna Piatti-Farnell: Marvel Zombies (Robert Kirkman, Sean Phillips and Arthur Suydam, 2005–2006) – Undead Superheroes – Simon Bacon: The Cloverfield Paradox (Julius Onah, 2018) – Universal Undead – Roger Luckhurst: Epilogue: The Death of Death – Zero K, Don DeLillo (2016).
| Erscheinungsdatum | 17.01.2023 |
|---|---|
| Reihe/Serie | Genre Fiction and Film Companions ; 10 |
| Mitarbeit |
Herausgeber (Serie): Simon Bacon |
| Zusatzinfo | 58 Illustrations |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 492 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sozialwissenschaften ► Soziologie ► Empirische Sozialforschung | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| Sozialwissenschaften ► Soziologie ► Makrosoziologie | |
| Schlagworte | 21st Century Popular Culture • Horror • Simon Bacon • The Undead in the 21st Century • Undead |
| ISBN-10 | 1-78997-736-3 / 1789977363 |
| ISBN-13 | 978-1-78997-736-3 / 9781789977363 |
| Zustand | Neuware |
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