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Crisis Cinema in the Middle East - Shohini Chaudhuri

Crisis Cinema in the Middle East

Creativity and Constraint in Iran and the Arab World
Buch | Hardcover
328 Seiten
2022
Bloomsbury Academic (Verlag)
978-1-350-19051-1 (ISBN)
CHF 143,00 inkl. MwSt
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In recent years, the Arab world and Iran have been afflicted by cataclysmic events, among them brutal state crackdowns of revolutions. Yet, filmmakers have persisted in their desire to tell their stories, against the odds, in creative acts that attest to their imagination, courage and resilience.

In this book, Shohini Chaudhuri examines a broad range of films made during the tumultuous period since 2009, ranging from internationally award-winning festival favourites, such as For Sama (2019), Capernaum (2018) and Taxi Tehran (2015), to lesser-known films from the region. While freedom of expression is often understood through the lens of state censorship, she reveals the different types of obstacles that filmmakers face and their strategies for overcoming them so that those constraints are transformed into creative opportunities. Using her original interviews with filmmakers such as Waad al-Kateab, Yasmin Fedda, Larissa Sansour, Mani Haghighi and Ossama Mohammed, she identifies nine creative strategies for producing work under conditions of crisis.

Chaudhuri argues that creativity is indelibly shaped by constraints, whether these are externally imposed by existing materials, funding and socio-political conditions, or self-imposed constraints, through choices of genre or acceptance of rules and responsibilities.She shows that the range of creative strategies emanating from the region is much wider than allegory and becoming ever more direct. She thus opens up new lines of inquiry into cinematic creativity in sites of conflict and crisis in the Middle East and beyond.

Shohini Chaudhuri is a Professor in the Department of Literature, Film and Theatre Studies at the University of Essex, UK. Her main research and teaching area is World Cinema, with particular interests in film and human rights, film-philosophy, feminist and postcolonial theory. Her work develops transnational and comparative frameworks to explore links between different film cultures. She is the author of Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship (2014), Feminist Film Theorists (2006) and Contemporary World Cinema (2005).

Table of Contents
Introduction
1. Witnessing
2. Mapping space and memory
3. Animation
4. Child actors
5. The road movie
6. Humour
7. Adaptation
8. Online archives
9. Music
10. Science-fiction/dystopia
Conclusion

Erscheinungsdatum
Zusatzinfo 19 bw illus
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Journalistik
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Wirtschaft
ISBN-10 1-350-19051-9 / 1350190519
ISBN-13 978-1-350-19051-1 / 9781350190511
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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