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The Commodification of Identity in Victorian Narrative - Sean Grass

The Commodification of Identity in Victorian Narrative

Autobiography, Sensation, and the Literary Marketplace

(Autor)

Buch | Softcover
298 Seiten
2021
Cambridge University Press (Verlag)
978-1-108-70620-9 (ISBN)
CHF 54,10 inkl. MwSt
The first book to study the rise of Victorian autobiography as a marketplace phenomenon rather than a vehicle for constructing identity, and to relate life-writing to broader cultural impulses to imagine identity as a textual thing. It will particularly appeal to scholars of nineteenth-century literature, book history and material culture.
In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange.

Sean Grass is Professor of English at the Rochester Institute of Technology and is the author of The Self in the Cell: Narrating the Victorian Prisoner (2003), Charles Dickens's 'Our Mutual Friend': A Publishing History (2014), and several essays on Victorian literature and culture. He received two awards from the National Endowment for the Humanities in support of the current work.

Introduction: life upon the exchange: commodifying the Victorian subject; 1. 'A vile symptom': autobiography and the commodification of identity; 2. 'Portable property': commodity and identity in Great Expectations; 3. Lady Audley's portrait: textuality, gender, and power; 4. Amnesia, madness, and financial fraud: ontologies of loss in Silas Marner and Hard Cash; 5. 'What money can make of life': willing subjects and commodity culture in Our Mutual Friend; 6. The Moonstone, sacred identity, and the material self; Conclusion: money made of life: the Tichborne claimant.

Erscheinungsdatum
Reihe/Serie Cambridge Studies in Nineteenth-Century Literature and Culture
Zusatzinfo Worked examples or Exercises; 3 Halftones, black and white; 3 Line drawings, black and white
Verlagsort Cambridge
Sprache englisch
Maße 152 x 228 mm
Gewicht 450 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Sozialwissenschaften
ISBN-10 1-108-70620-7 / 1108706207
ISBN-13 978-1-108-70620-9 / 9781108706209
Zustand Neuware
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