Researching Live Music

Gigs, Tours, Concerts and Festivals

Chris Anderton, Sergio Pisfil (Herausgeber)

Buch | Hardcover

256 Seiten

2021
CRC Press (Verlag)
978-0-367-40502-1 (ISBN)

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Researching Live Music offers an important contribution to the emergent field of live music studies, a field which has, over the past ten years, seen a steady growth in publications that examine the history of live music venues and promoters, the economics of the live music industry, and the operations of the sector.

Researching Live Music offers an important contribution to the emergent field of live music studies.

Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland.

Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.

Chris Anderton is Associate Professor in Cultural Economy at Solent University, Southampton. He is the author of Music Festivals in the UK: Beyond the Carnivalesque (2019) and co-author of both Understanding the Music Industries (2013) and Music Management, Marketing and PR: Creating Connections and Conversations (forthcoming). He is also co-editor of Media Narratives in Popular Music (forthcoming) and has guest edited issues of the journals Rock Music Studies and Arts and the Market. Sergio Pisfil is a Lecturer and researcher at Universidad Peruana de Ciencias Aplicadas. His PhD, gained at the University of Edinburgh under the supervision of Simon Frith, focused on the history of live sound and its connections to rock music between 1967 and 1973. His research interests include live music, and the history and esthetics of popular music. His work has been published in various edited collections, including The Bloomsbury Handbook of Rock Music Research, Gender in Music Production, and the forthcoming Oxford Handbook of Progressive Rock; and in journals such as Popular Music and Society and Communiquer (forthcoming). He is currently guest editing a special issue on live music for the journal Arts and the Market.

List of illustrations

List of contributors

Acknowledgments

Live Music Studies in Perspective

Chris Anderton and Sergio Pisfil

PART I: Promotion

Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
Steve Waksman

As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
Danny Hagan

Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
Pat O’Grady

Showcase Festivals as a Gateway to Foreign Markets
Patryk Galuszka

Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Chris Anderton

PART II: Production

Live Sound Matters
Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder

Mobile Spectacle: Es Devlin’s Pandemonium Tour Design
Glyn Davis

Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour’s Supply Chain
Gabrielle Kielich

Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
Kimi Kärki

Part III: Consumption

Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
Loïc Riom

Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
Kenny Forbes

Live … as You’ve Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
Andy Bennett

Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
Stephen Loy

Part IV: Policy

Music Cities, or Cities of Music?
Christina Ballico and Dave Carter

State of Play: Tensions and Interventions in Live Music Policy
Adam Behr

"Por Más Músicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
Sarah Lahasky

Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy

Gérôme Guibert, Michaël Spanu, and Catherine Rudent

Index

Erscheinungsdatum	19.11.2021
Zusatzinfo	1 Tables, black and white; 2 Halftones, black and white; 2 Illustrations, black and white
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Gewicht	485 g
Themenwelt	Kunst / Musik / Theater
	Sachbuch/Ratgeber ► Sport
	Mathematik / Informatik ► Informatik
	Sozialwissenschaften ► Soziologie ► Mikrosoziologie
ISBN-10	0-367-40502-4 / 0367405024
ISBN-13	978-0-367-40502-1 / 9780367405021
Zustand	Neuware