The Contested Crown
Repatriation Politics between Europe and Mexico
Seiten
2022
University of Chicago Press (Verlag)
978-0-226-80206-0 (ISBN)
University of Chicago Press (Verlag)
978-0-226-80206-0 (ISBN)
Following conflicting desires for an Aztec crown, this book explores the possibilities of repatriation.
In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it is too fragile to travel.
Both the biography of a cultural object and a history of collecting and colonizing, this book offers an artist’s perspective on the creative potentials of repatriation. Carroll compares Holocaust and colonial ethical claims, and she considers relationships between indigenous people, international law and the museums that amass global treasures, the significance of copies, and how conservation science shapes collections. Illustrated with diagrams and rare archival material, this book brings together global history, European history, and material culture around this fascinating object and the debates about repatriation.
In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it is too fragile to travel.
Both the biography of a cultural object and a history of collecting and colonizing, this book offers an artist’s perspective on the creative potentials of repatriation. Carroll compares Holocaust and colonial ethical claims, and she considers relationships between indigenous people, international law and the museums that amass global treasures, the significance of copies, and how conservation science shapes collections. Illustrated with diagrams and rare archival material, this book brings together global history, European history, and material culture around this fascinating object and the debates about repatriation.
Khadija von Zinnenburg Carroll is an Austrian-Australian artist and historian. She is chair of Global Art at the University of Birmingham and professor at the Central European University. She is the author of Art in the Time of Colony, The Importance of Being Anachronistic, Botanical Drift, and Bordered Lives.
Introduction
Chapter 1: Writing as Listening
Chapter 2: El Penacho
Chapter 3: The View from the Vitrine
Chapter 4: The Real and the Replica
Chapter 5: Collecting and Catastrophe
Chapter 6: Monuments and Exile
Chapter 7: Relational Ethics and the Future of Museums
Acknowledgments
Notes
Bibliography
Index
| Erscheinungsdatum | 17.02.2022 |
|---|---|
| Zusatzinfo | 27 halftones |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 454 g |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Politik / Verwaltung ► Europäische / Internationale Politik | |
| ISBN-10 | 0-226-80206-X / 022680206X |
| ISBN-13 | 978-0-226-80206-0 / 9780226802060 |
| Zustand | Neuware |
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Erinnerungen
Buch | Softcover (2024)
Pantheon (Verlag)
CHF 22,40
