Smartphone Filmmaking
Bloomsbury Academic USA (Verlag)
978-1-5013-6033-6 (ISBN)
While not every story might be appropriate to be realized with a mobile device or smartphone, if working with communities, capturing locations or working in the domain of personal or first-person filmmaking, the smartphone or mobile device should be considered as the camera of choice. The mobile specificity is expressed through accessibility, mobility and its intimate and immediate qualities. These smartphone filmmaking-specific characteristics and personal forms of crafting experiences contribute to a formation of new storytelling approaches. Stylistic developments of vertical video and collaborative processes in smartphone filmmaking are evolving into hybrid formats that resonate in other film forms.
This book not only develops a framework for the analysis of smartphone filmmaking but also reviews contemporary scholarship and directions within the creative arts and the creative industries. Smartphone Filmmaking: Theory and Practice initiates a conversation on current trends and discusses its impact on adjacent disciplines and recent developments in emerging media and screen production, such as Mobile XR (extended reality).
Max Schleser is Senior Lecturer in Film and Television at Swinburne University of Technology, Australia. He is also the Adobe Education Leader, Co-Founder of the Mobile Innovation Network & Association (www.mina.pro) and Screening Director of the International Mobile Innovation Screening & Festival. He has co-edited Mobile Media Making in an Age of Smartphones (2014) and Mobile Story Making in an Age of Smartphones (2019), and edited journals for Ubiquity, the Journal of Pervasive Media and the Journal of Creative Technologies. He conceptualised and conducted digital storytelling workshops for a number of city councils in Australia, New Zealand and the UK. His industry consultancy includes projects for Adobe, BBC, Nokia, Frontier Strategy and Open Lab, among other agencies and production companies. Max’s experimental films, moving-image arts and cinematic VR projects are screened at film festivals and exhibited in galleries and museums (www.schleser.nz). His community engaged documentaries are broadcast on TV and online (https://www.behance.net/maxschleser).
Introduction
Chapter 1: Toward a Theory and Practice of Mobile, Smartphone and Pocket Filmmaking
The Pioneers
An Original Film Form
MINA, Mobile Innovation Network and Association
Curating the International Mobile Innovation Screening
International Mobile Innovation Screening, 2011-2018
Smartphone Filmmaking Modes
Chapter 2: Spotlight on Mobile and Smartphone Film Festicals
The Global Mobile and Smartphone Film Festival Scene
International Mobile Film Festival (San Diego, USA)
MoMo – Mobile Motion (Zürich, Switzerland)
SF3 Smartphone Flick Fest (Sydney, Australia)
African Smartphone Film Fest (Lagos, Nigeria)
Karl Bardosh, NYU (New York, USA)
Chapter 3: Focus on Smartphone Filmmaking Practice
Independent Smartphone Filmmakers
Gerda Cammaer (Canada/Belgium)
Felipe Cardona (Columbia)
Camille Baker (UK)
Conrad Mess (Spain)
Chapter 4: New Horizons: Creative Industries
21st-Century Creativity and Storytelling
LumaTouch (USA)
Benoît Labourdette (France)
Adobe Rush (USA & Asia Pacific)
Treehouse (Australia)
Struman Optics (Australia)
Chapter 5: Creative Innovation
Experimentation Driving Innovation
Transformational Creativity
Smartphone filmmaking specific formations
Smartphone Filmmaking Modes
Mobile XR
Bibliography
Index
Erscheinungsdatum | 22.10.2021 |
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Zusatzinfo | 184 illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 178 x 254 mm |
Gewicht | 726 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-5013-6033-7 / 1501360337 |
ISBN-13 | 978-1-5013-6033-6 / 9781501360336 |
Zustand | Neuware |
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