Languages of Trauma
University of Toronto Press (Verlag)
978-1-4875-0896-8 (ISBN)
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This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights.
Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures.
Peter Leese is an associate professor in the Department of English, Germanic and Romance Studies at the University of Copenhagen. Jason Crouthamel is a professor in the Department of History at Grand Valley State University. Julia Barbara Köhne is FONTE visiting professor in the Faculty of Culture, Social Sciences and Education at Humboldt-University Berlin.
Introduction: Languages of Trauma
Peter Leese, Julia Barbara Köhne, and Jason Crouthamel
Part One: Words and Images
1. “A perfect hell of a night which we can never forget”: Narratives of Trauma in the Private Writings of British and Irish Nurses in the First World War
Bridget E. Keown
2. Religious Language in German Soldiers’ Narratives of Traumatic Violence, 1914–1918
Jason Crouthamel
3. Languages of the Wound: Finnish Soldiers’ Bodies as Sites of Shock during World War II
Ville Kivimäki
4. Efim Segal Shell-shocked Sergeant: Red Army Veterans and the Expression and Representation of Trauma Memories
Robert Dale
5. The Falling Man: Resisting and Resistant Visual Media in Art Spiegelman’s In the Shadow of No Towers
Jennifer Anderson Bliss
Part Two: Music, Theatre, and Visual Arts
6. Performing Songs and Staging Theatre Performances: Working through the Trauma of the 1965 Indonesian Mass Killings
Dyah Pitaloka and Hans Pols
7. Encounters with Some Things Are Difficult to Say, Re-Membered
Katrina Bugaj
8. Performing Memory in an Interdependent Body
Emily Mendelsohn
9. Memory and Trauma: Two Contemporary Art Projects
Maj Hasager
Part Three: Normalizations of Trauma
10. Between Social Criticism and Epistemological Critique: Critical Theory and the Normalization of Trauma
Ulrich Koch
11. The New Normal: Trauma as Successfully Failed Communication in Nurse Betty
Thomas Elsaesser
12. The Exploitation of Trauma: (Mis-)Representations of Rape Victims in the War Film
Marzena Sokołowska-Paryż
Part Four: Representations in Film
13. Translating Individual and Collective Trauma through Horror: The Case of George A. Romero’s Martin
Adam Lowenstein
14. Aesthetic Displays of Perpetrators in Joshua Oppenheimer’s The Act of Killing: Post-Atrocity Perpetrator Symptoms, Re-enactments of Violence, and Perpetrator-Victim-Inversions
Julia Barbara Köhne
15. Perpetrator Trauma and Current American War Cinema
Raya Morag
Coda: Climate Trauma Reconsidered
E. Ann Kaplan
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Zusatzinfo | 43 b&w illustrations, 3 b&w maps |
| Verlagsort | Toronto |
| Sprache | englisch |
| Maße | 159 x 235 mm |
| Gewicht | 700 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| Geschichte ► Allgemeine Geschichte ► Zeitgeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4875-0896-4 / 1487508964 |
| ISBN-13 | 978-1-4875-0896-8 / 9781487508968 |
| Zustand | Neuware |
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