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The Singing of the Strasbourg Protestants, 1523-1541 - Daniel Trocme-Latter

The Singing of the Strasbourg Protestants, 1523-1541

Buch | Softcover
416 Seiten
2020
Routledge (Verlag)
978-0-367-73727-6 (ISBN)
CHF 62,90 inkl. MwSt
Drawing upon a range of sources, this book explores the part played by music, especially group-singing, in the unfolding of the Protestant Reformation in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, examining how both genres fitted into people’s lives during this time of strife, and how the provision and disseminati
Music was, in some form or another, a pastime enjoyed by all in sixteenth-century society, and a fundamental part of their lives. It was both through the use of music and partly as a result of its existence that many religious changes occurred during the Reformation. This book explores the part played by music, especially group singing, in the unfolding of the Protestant reforms in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, examining how both genres fitted into people’s lives during this time of strife, and how the provision and dissemination of music as a whole affected, and in turn was affected by, the new ecclesiastical arrangement. Whilst it would be naive to assume that the congregations were transformed from impious to pious overnight as the result of the introduction of German hymns, it is clear that there were real and concerted efforts on the part of reformers to get people to embrace the new faith, and writing hymns for them to sing was central to the process. Drawing upon a range of sources - including liturgical orders and hymnals, polemical songs, chronicles of the Reformation and text manuscripts - the book explores the methods by which new songs were introduced in Strasbourg churches, and suggests how congregations might have learnt them. In so doing it provides an account of the process by which reformers found music a place in the new Church, and used it to promote their wider reform agenda.

Dr Daniel Trocmé-Latter is Fellow and Director of Studies in Music, Homerton College, Cambridge, UK.

Introduction; The Church and the ‘wonderful art’ of music; Abolishing the mass; The move towards conformity; Song texts and their messages; The 1541 Gesangbuch and Strasbourg’s external influence; Conclusions; Appendices; Bibliography; Index.

Erscheinungsdatum
Reihe/Serie St Andrews Studies in Reformation History
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 580 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Geisteswissenschaften Archäologie
Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Religion / Theologie
Sozialwissenschaften Soziologie
ISBN-10 0-367-73727-2 / 0367737272
ISBN-13 978-0-367-73727-6 / 9780367737276
Zustand Neuware
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