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African Diaspora -

African Diaspora

A Musical Perspective

Ingrid Monson (Herausgeber)

Buch | Softcover
376 Seiten
2003
Routledge (Verlag)
978-0-415-96769-3 (ISBN)
CHF 69,90 inkl. MwSt
A collection of musical case studies from: Africa, the Caribbean, Latin America, North America and Europe and more, that engage with broader interdisciplinary issues about race, gender, politics, nationalism and music. They examine such issues as the blues aesthetic, the globalization of jazz and the role of militarism in Haitian vodou music.

Ingrid Monson is Quincy Jones Professor of African American Music at Harvard University. She won the Sonneck Society's 1998 Irving Lowens Prize for the best book in American music for her 1996 Saying Something,Jazz Improvisation and Interaction. She was also a founding member of the nationally known Klezmer Conservatory Band, and plays trumpet with jazz and salsa bands. Monson previously was Associate Professor of Music at Washington University in St. Louis, and has taught at the University of Michigan, Harvard (as Visiting Professor), and University of Chicago. She has a Ph.D. and an M.A. in Musicology from NYU, and a B.M. from New England Conservatory. Monson is currently working on two books: one on the impact of the Civil Rights Movement and African Independence on the history of jazz, and one on the musics of the African Diaspora.

Series Editor’s Foreword 1. Introduction PART I TRAVELING MUSIC AND MUSICIANS 2. Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora 3. Communities of Style: Musical Figures of Black Diasporic Identity 4. Jazz on the Global Stage PART II BEYOND TRADITION OR MODERNITY 5. Women, Music, and the “Mystique” of Hunters in Mali 6. Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935–45) 7. Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera 8. They Just Need Money: Goods and Gods, Power and Truth in a West African Village PART III CONTRADICTORY MOMENTS 9. Militarism in Haitian Music 10. Musical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, Ambivalence 11. Art Blakey’s African Diaspora

Erscheint lt. Verlag 3.7.2003
Reihe/Serie Critical and Cultural Musicology
Verlagsort London
Sprache englisch
Maße 152 x 229 mm
Gewicht 538 g
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Sozialwissenschaften Soziologie Spezielle Soziologien
ISBN-10 0-415-96769-4 / 0415967694
ISBN-13 978-0-415-96769-3 / 9780415967693
Zustand Neuware
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