The Gallery of Miracles and Madness
Insanity, Art and Hitler’s First Mass-Murder Programme
Seiten
2021
William Collins (Verlag)
978-0-00-829962-0 (ISBN)
William Collins (Verlag)
978-0-00-829962-0 (ISBN)
‘A riveting tale, brilliantly told' Philippe Sands
The little-known story of Hitler’s war on modern art and the mentally ill.
In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.
The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.
Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.
Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.
The little-known story of Hitler’s war on modern art and the mentally ill.
In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world.
The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder.
Soon after his rise to power, Hitler—a failed artist of the old school—declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both.
Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.
Charlie English is the former head of international news at the Guardian. A fellow of the Royal Geographical Society, he is the author of The Snow Tourist and the widely acclaimed The Book Smugglers of Timbuktu. He lives in London.
| Erscheinungsdatum | 02.08.2021 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 159 x 240 mm |
| Gewicht | 580 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Allgemeine Geschichte ► 1918 bis 1945 | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Politik / Verwaltung ► Politische Systeme | |
| Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
| ISBN-10 | 0-00-829962-5 / 0008299625 |
| ISBN-13 | 978-0-00-829962-0 / 9780008299620 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
ein Psychologe erlebt das Konzentrationslager
Buch | Hardcover (2024)
Kösel (Verlag)
CHF 30,80
Mythos „Stauffenberg-Attentat“ – wie der 20. Juli 1944 verklärt und …
Buch | Hardcover (2024)
Goldmann (Verlag)
CHF 33,55
