Mass Producing European Cinema
Bloomsbury Academic USA (Verlag)
978-1-5013-6810-3 (ISBN)
Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies.
Acknowledgements
Introduction: Studio Building in Contemporary European Cinema
Chapter 1: The Bones that Litter the Shore: A Brief History of Integrated, Pan-European Studios
Chapter 2: Le Studio Canal+ as “Dumb Money:” Working within Hollywood and Building a Library: 1990-1999
Chapter 3: Surviving Jean-Marie Messier and Vivendi Universal: 1999-2006
Chapter 4: Once More into the Breach: International Expansion 2006-Present
Chapter 5: The European Studio as Creative Force: Defining and Analyzing Studiocanal’s Output, 2006-Present
Chapter 6: Studiocanal’s Mining of the Middlebrow
Chapter 7: Studiocanal and Popular Genre Cinema and Television
Appendix 1: International Films and TV Dramas Made by StudioCanal, 2009-2017
Appendix 2: Film and Television Drama Projects Developed by StudioCanal, 2006-PRESENT
Bibliography
Index
Erscheinungsdatum | 16.01.2021 |
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Zusatzinfo | 14 bw illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 367 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
Sozialwissenschaften ► Politik / Verwaltung ► Europäische / Internationale Politik | |
Wirtschaft | |
ISBN-10 | 1-5013-6810-9 / 1501368109 |
ISBN-13 | 978-1-5013-6810-3 / 9781501368103 |
Zustand | Neuware |
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