Chance, Phenomenology and Aesthetics
Bloomsbury Academic (Verlag)
978-1-350-14846-8 (ISBN)
Chance, Phenomenology and Aesthetics will appeal to scholars and advanced students in the disciplines of phenomenology, deconstruction and hermeneutics, as well as being compelling reading for anyone interested in pursuing sound studies, art theory and art history through an interdisciplinary post-phenomenological lens.
Ian Andrews teaches at the University of New South Wales, Australia. He is also a media artist and theorist working with generative sound, video and text in installation formats. His areas of research interest include aesthetics, philosophy, poetry, sound, film theory, semio-linguistics and contemporary art.
1.Introduction
2. The Spot on the Wall: Chance versus Automatism
3. Sound and Phenomenology: Pierre Schaeffer’s Sonic Research
4. Chance as Epoche: John Cage and Non-intentionality
5. Twisting Free form Aesthetics and the Will: Heidegger and the work of Art
6. Purposive Purposelessness: Cage, Heidegger, Eckhart
7. Fluxus and the Flux: Husserl, Derrida and Gadamer on Experience
8. Poethics: I Have Nothing to Say and I am Saying It
9. Contingency, Complex Realism and the Cinematic Image
Notes
Bibliography
Index
| Erscheinungsdatum | 13.11.2020 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 508 g |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit |
| Sozialwissenschaften | |
| ISBN-10 | 1-350-14846-6 / 1350148466 |
| ISBN-13 | 978-1-350-14846-8 / 9781350148468 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
