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The Femme Fatale - Julie Grossman

The Femme Fatale

(Autor)

Buch | Softcover
174 Seiten
2020
Rutgers University Press (Verlag)
978-0-8135-9824-6 (ISBN)
CHF 41,90 inkl. MwSt
Takes a long view on the figure of the femme fatale, exploring her style, language, and stories from silent cinema to contemporary television. Julie Grossman explores the notions of female ambition, frustration, and intelligence that undergird the power and fascination of the femme fatale across time and media.
Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality?

 

This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in films like Basic Instinct and Memento. Finally, it explores how contemporary film and television creators like Fleabag and Killing Eve’s Phoebe Waller-Bridge have appropriated the femme fatale in sympathetic and surprising ways.

 

Analyzing not only the films themselves, but also studio press kits and reviews, The Femme Fatale considers how discourses about the pleasures and dangers of female performance are projected onto the figure of the femme fatale. Ultimately, it is a celebration of how “bad girl” roles have provided some of Hollywood’s most talented actresses opportunities to fully express their on-screen charisma.

JULIE GROSSMAN is a professor of English and communication and film studies at Le Moyne College in Syracuse, New York. Her books about film, television, literature, and gender include Ida Lupino, Director: Her Art and Resilience in Times of Transition (with Therese Grisham), Rethinking the Femme Fatale in Film Noir: Ready for Her Close-Up, Adaptation and ElasTEXTity: Literature, Film, and Their Hideous Progeny, and Twin Peaks (with Will Scheibel).  

Contents

Introduction

1          “Theda Bara and Barbara Stanwyck’s “Baby Face”: Exoticism and the Street-Smart Vamp”

2          Wartime and Postwar Film Noir, Neo-Noir, and the Femme Fatale

3          Tracy Flick, and Television’s Unruly Women

Acknowledgements

Further Reading

Works Cited

Selected Filmography

Index

 

Erscheinungsdatum
Verlagsort New Brunswick NJ
Sprache englisch
Maße 114 x 178 mm
Gewicht 1 g
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Sozialwissenschaften Soziologie Gender Studies
ISBN-10 0-8135-9824-9 / 0813598249
ISBN-13 978-0-8135-9824-6 / 9780813598246
Zustand Neuware
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