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The Oxford Handbook of Communist Visual Cultures -

The Oxford Handbook of Communist Visual Cultures

Buch | Hardcover
800 Seiten
2020
Oxford University Press Inc (Verlag)
978-0-19-088553-3 (ISBN)
CHF 179,95 inkl. MwSt
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Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

Aga Skrodzka is Associate Professor of Film and Media Studies at Clemson University, where she spearheaded the creation of the World Cinema Program. She is the author of Magic Realist Cinema in East Central Europe and a forthcoming book on the figure of the sex slave in visual culture. Xiaoning Lu is Lecturer in East Asian Languages & Cultures at SOAS, University of London. Her research, which focuses on Chinese socialist cinema and culture, has appeared in journals and edited collections including the Journal of Chinese Cinemas, Journal of Contemporary China, Maoist Laughter, and Words and Their Stories: Essays on Chinese Revolutionary Discourse. Katarzyna Marciniak is Professor of Transnational Studies at Ohio University, where she specializes in the discourses of immigration and foreignness. She is the author of Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland and co-editor of Teaching Transnational Cinema: Politics and Pedagogy and Transnational Feminism in Film and Media.

Introduction
Aga Skrodzka

Part I. Material Cultures, Technologies, Industries

1. Socialist Domestic Infrastructures and the Politics of the Body: Bucharest and Havana
Iulia St&atic&a

2. Architecture in Series: Housing and Communist Idealism
Kimberly Zarecor

3. Restating Classicist Monumentalism in Soviet Architecture, 1930s-early 1950s
William C. Brumfield

4. Esfir Shub's KShE (1932) and the Movement of Energy
Joshua Malitsky

5. Soviet Wall Newspapers: Social(ist) Media of an Analog Age
Birgitte Beck Pristed

6. Red Stars, Biorhythms, and Circuit Boards: Do-It-Yourself Aesthetics of Computing and Computer Games in Late Socialist Czechoslovakia
Jaroslav %Svelch

7. Machines, Nations, and Faciality: Cultivating Mental Eyes in Soviet Books for Children
Serguei Alex. Oushakine

Part II. Institutional Discourses, Communist Visions, Theory

8. Who Doesn't Like Aleksander Kobzdej? State Artist's Career in the People's Republic of Poland
Magdalena Moskalewicz

9. "How To" Make Art in Communist China
Vivian Li

10. Visions and Visualization of Sustainability: Leningrad Designers in Search of Soviet Recycling System, 1981-84
Yulia Karpova

11. Shaping the Avant-garde: The Reception of Soviet Constructivism by the American Art Journal October
Pablo Müller

12. A Time Lag of defa-futurum: A Socialist Cine-futurism from East Germany
Doreen Mende

13. The Visitation of the Idea: Badiou on Film and Communism
Rohan Kalyan

Part III. International and Intercultural Dimensions

14. In the Name of Internationalism: The Cinematic Memorialization of Norman Bethune in Socialist China
Xiaoning Lu

15. Listening Between the Images: African Filmmakers' Take on the Soviet Union, Soviet Filmmakers' Take on Africa
Lindiwe Dovey

16. Brothers at War: The Images of Prison S-21 (Tuol Sleng) in the Framework of Intra-Communist Conflicts
Vicente Sánchez-Biosca

17. The Constructivist Sartorial Utopia and Its Revolutionary Potential: Then and Now
Djurdja Bartlett

18. "Socialist Realist" Critiques of Neoliberal Shock Therapy: East German Artists Respond to the 1973 Putsch in Chile
April A. Eisman

Part IV. Visual Production and Strategic Spectacles

19. Beauty and Quality for All: A Vision of Fashion under Cuban Socialism
María A. Cabrera Arús

20. Disappearing from the Picture? Female Figures in Pattern Books of the Mao Years
Antonia Finnane

21. The Subject Who Knows: Photographers and Photographed in a Late East Germany
Sara Blaylock

22. Two Worlds: Boris Efimov, Soviet Political Caricature, and the Construction of the Long Cold War
Stephen M. Norris

23. The Lyrical Subversions of Socialist Realism in Dang Nhât Minh's New Wave Cinema
Dana Healy

24. The Montage Connection between John Heartfield and László Lakner: Artistic Dissidence and a New Leftism in Sixties Europe
Cristina Cuevas-Wolf

25. Visual Regimes of Juche Ideology in North Korea's The Country I Saw
Travis Workman

Part V. After-images, Memory, Legacy

26. Television and The Good Times of Socialism
Anikó Imre

27. Futures Remembered: Kosmonauts, the GDR, and the Retrospective Impulse
Nick Hodgin

28. Contesting the Cuban Soviet Visual Rhetoric for the Present
Jacqueline Loss

29. Komunistki: Visual Memory of Female Communist Agency
Aga Skrodzka

30. Specters of Europe and Anti-communist Visual Rhetoric in the Romanian Film of the Early 1990s
Constantin Parvulescu and Claudiu Turcu,s

31. Lenin in Los Angeles: Counter-Memories, Recycling Socialism
Katarzyna Marciniak

Coda: Flashes of Arab Communism
Laura Marks

Erscheinungsdatum
Reihe/Serie Oxford Handbooks
Zusatzinfo 163 figures
Verlagsort New York
Sprache englisch
Maße 249 x 183 mm
Gewicht 1719 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Philosophie
Sozialwissenschaften Politik / Verwaltung
ISBN-10 0-19-088553-X / 019088553X
ISBN-13 978-0-19-088553-3 / 9780190885533
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