Matrixial Subjectivity, Aesthetics, Ethics, Volume 1, 1990-2000
Palgrave Macmillan (Verlag)
978-1-137-34515-8 (ISBN)
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This first volume includes the writings in which Ettinger elaborates her original concepts of Matrixial space-time and metramorphosis, fascinance, wit(h)nessing, resonance, transcryptum, com-passion, self-fragilization and resistance, co-emergence and copoiesis transform theories of the subject, Eros, alliance and love, sexual difference, alterity, relationality, trauma and violence. Her critical dialogue with theorists including Levinas, Lacan, Lyotard and Deleuze & Guattari, Butler, Cavarero and Irigaray is evident here.
A leading authority on Matrixial theory, Griselda Pollock provides explanatory prefaces to each chapter and a lengthy introduction that situates Ettinger’s work in relation to socio-psychoanalytical theory and practice and current social and philosophical debates. Ettinger’s interlacing of psychoanalysis, ethics, and aesthetics can be seen here to address some of the deepest challenges of our social, cultural and political existence today.
Bracha L Ettinger is an international contemporary visual artist, theorist and psychoanalyst whose wide-ranging artworking, theoretical writings and teaching have influenced art theory, feminism, philosophy and psychoanalysis. She is Marcel Duchamp Chair and Professor of Psychoanalysis and Art at European Graduate School, Switzerland and Distinguished Professor at The Global Center for Advanced Studies, Dublin, Ireland. Editor:Griselda Pollock is Professor of Social and Critical Histories of Art at the University of Leeds, UK. She is an art historian, cultural analyst and critical theorist working on violence, trauma and aesthetic transformation. Her recent publications include Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud and Bracha Ettinger (2015); Charlotte Salomon and the Theatre of Memory (2018) and Concentrationary Art: Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts (2019) edited together with Max Silverman.
Introduction; Griselda Pollock.- 1 Matrix and Metramorphosis.- 2. The Becoming Threshold of Matrixial Borderlines.- 3. Metramorphic Borderlinks and Matrixial Borderspace ([1993] 1996).- 4. Woman as objet a.- 5. Matrixial Gaze and Screen: Other than Phallic and Beyond the Late Lacan.- 6. The Red Cow Effect.- 7. Art as the Transport-Station of Trauma.- 8.Transgressing with-in-to the feminine.- 9. Transcryptum.- 10. Some-Thing, some-Event and some-Encounter between Sinthome and Symptom.
| Erscheinungsdatum | 20.11.2020 |
|---|---|
| Reihe/Serie | Studies in the Psychosocial |
| Zusatzinfo | XVIII, 485 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Gewicht | 780 g |
| Themenwelt | Geisteswissenschaften ► Philosophie |
| Geisteswissenschaften ► Psychologie ► Psychoanalyse / Tiefenpsychologie | |
| Geisteswissenschaften ► Psychologie ► Sozialpsychologie | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| Schlagworte | Aesthetics • aesthetic transformation • Cultural Memory • ethics studies • feminist cultural theory • fine arts and psychology • Gender Studies • Holocaust and post-traumatic studies • Lacan • philosophy of art • postcolonial histories of art and film • Psychoanalysis • Psychosocial Studies • Social Psychology • Social Science • Sociology |
| ISBN-10 | 1-137-34515-2 / 1137345152 |
| ISBN-13 | 978-1-137-34515-8 / 9781137345158 |
| Zustand | Neuware |
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