Hole in Our Soul
University of Chicago Press (Verlag)
978-0-226-03959-6 (ISBN)
From Queen Latifah to Count Basie, Madonna to Monk, "Hole in our soul: the loss of beauty and meaning in American popular music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock'n'roll and the emergence of heavy metal, punk, and rap. Yet despite the vigour and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defended the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls"perverse". She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility", Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant moods".
Acknowledgments Pt. 1: The Weird Music of the New World 1: Introduction 2: Why Music Is the Wild Card 3: The Three Strains of Modernism 4: The Obstacle of Race 5: The Taint of Commerce 6: Cubists and Squares: Jazz as Modernism Pt. 2: From Rock 'n' Roll to Rock 7: The Strange Career of 1950s Rock 'n' Roll 8: Rock 'n' Rollers or Holy Rollers? 9: Reaction and Revitalization 10: Another Country Heard From 11: Blues, Blacks, and Brits Pt. 3: Inspiration and Polarization 12: Words and Music: The Rise of the Counterculture 13: Art and Religion, 1960s Style 14: Hard Rock Becomes a Hard Place 15: Soul Loses Its Soul Pt. 4: The Triumph of Perversity 16: Their Art Belongs to Dada 17: Punk: The Great Avant-Garde Swindle 18: High on High Tech 19: Rap: Trying to Make it Real (Compared to What?) 20: You Don't Miss Your Water (Till Your Well Runs Dry) 21: Coda: Escape from Postmodernism Notes Index
| Erscheint lt. Verlag | 31.5.1996 |
|---|---|
| Sprache | englisch |
| Maße | 16 x 23 mm |
| Gewicht | 680 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Sozialwissenschaften | |
| ISBN-10 | 0-226-03959-5 / 0226039595 |
| ISBN-13 | 978-0-226-03959-6 / 9780226039596 |
| Zustand | Neuware |
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