Television History, the Peabody Archive, and Cultural Memory
Seiten
2019
University of Georgia Press (Verlag)
978-0-8203-5618-1 (ISBN)
University of Georgia Press (Verlag)
978-0-8203-5618-1 (ISBN)
The first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV.
Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and thus have largely been forgotten and yet have the potential to reshape our understanding of American television history.
Because the collection contains programming produced by stations across the nation, it is a distinctive repository of cultural memory; many of the programs found in it are not represented in the canon that dominates our understanding of American broadcast history. The contributions to this volume ask a range of important questions. What do we find if we look to the archive for what's been forgotten? How does our understanding of gender, class, or racial representations shift? What different strategies did producers use to connect with audiences and construct communities that may be lost?
This volume's contributors examine intersections of citizenship and subjectivity in public-service programs, compare local and national coverage of particular individuals and social issues, and draw our attention to types of programming that have disappeared. Together they show how locally produced programs-from both commercial and public stations-have acted on behalf of their communities, challenging representations of culture, politics, and people.
Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and thus have largely been forgotten and yet have the potential to reshape our understanding of American television history.
Because the collection contains programming produced by stations across the nation, it is a distinctive repository of cultural memory; many of the programs found in it are not represented in the canon that dominates our understanding of American broadcast history. The contributions to this volume ask a range of important questions. What do we find if we look to the archive for what's been forgotten? How does our understanding of gender, class, or racial representations shift? What different strategies did producers use to connect with audiences and construct communities that may be lost?
This volume's contributors examine intersections of citizenship and subjectivity in public-service programs, compare local and national coverage of particular individuals and social issues, and draw our attention to types of programming that have disappeared. Together they show how locally produced programs-from both commercial and public stations-have acted on behalf of their communities, challenging representations of culture, politics, and people.
Ethan Thompson is a professor of communication and media at Texas A&M University, Corpus Christi. He is coeditor of the book How to Watch Television, author of Parody and Taste in Postwar American Television Culture, and producer and director of the historical documentary, TV Family. Jeffrey P. Jones is director of the George Foster Peabody Awards and the Lambdin Kay Chair and Professor of Entertainment and Media Studies at the University of Georgia. He is the author and editor of five books, including Entertaining Politics, Satire TV, and News Parody and Political Satire Across the Globe. Lucas Hatlen is a PhD candidate at the University of Georgia.
| Erscheinungsdatum | 23.12.2019 |
|---|---|
| Reihe/Serie | The Peabody Series in Media History |
| Mitarbeit |
Herausgeber (Serie): Jeffrey P. Jones, Ethan Thompson |
| Zusatzinfo | 46 black & white photographs |
| Verlagsort | Georgia |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 540 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften | |
| ISBN-10 | 0-8203-5618-2 / 0820356182 |
| ISBN-13 | 978-0-8203-5618-1 / 9780820356181 |
| Zustand | Neuware |
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CHF 62,95
